Chapters (71)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Author’s Note
- Extract from Rites of Spring
- About the Author
Call-me responds with his trademark smile. ‘Excellent. In that case you probably already know that Tabor was Karl-Jo’s studio, until he became too ill to work. You can still see his fingerprints on the bannister,’ he adds, gesturing towards the stairs. ‘This painting was the last piece he finished. He developed a serious eye condition that eventually left him almost blind, but he refused to leave here until the mural was completed, even though it took him almost ten years.’
Agnes clicks away again.
Anna moves closer – slowly, almost reverently. The painting is enormous, at least six metres wide and three high. It covers most of the wall. The motif is a pool surrounded by a forest. Flat rocks and steep, jagged cliffs encircled by autumn-coloured trees against a turbulent sky. The tones are muted, the surface of the water almost black. White splashes of rain can be seen here and there, disturbing the reflections of the leaves and rocks and making them change shape. As she gets closer the perspective shifts; the water almost seems alive. Anna doesn’t know a great deal about art, but she realises it must take great skill to achieve this effect. She is fascinated. The nearer she gets, the stronger the illusion of movement becomes, while at the same time her own anxiety is increasing. She tries her hardest to resist; she doesn’t want to hear what it has to say.
A faint noise makes her look back over her shoulder. Klein has taken a couple of steps into the chapel. He is facing the mural with his hands clasped in front of him, almost as if he is praying. His jaw is clenched, his eyes dark. The skin on his forehead and cheeks is thin, making the bones beneath protrude sharply, just like Håkan in the last weeks of his life.
Please help me, Anna!
Help me!
The anxiety breaks through her defences, passes through her mind like a gust of wind and whispers in her own voice that all of this – the move, the new job, the new life for her and Agnes – is one huge mistake.
Chapter 2
2
28 August 1990
Bruno and Alex were the first to arrive, as always. Alex parked his black Ford Escort by the barrier that closed off the dirt track, and they sat there for a few minutes with the sunroof and the side windows open, the car stereo going full blast.
Even though the nights were getting colder and beginning to turn the leaves yellow here and there, summer was having one last celebration, grabbing a few more days before it gave in to the inevitable. Which in turn meant it was time for their annual tradition – summer’s last dip in their secret place, Mörkaby quarry.
They had arranged to meet Simon at two thirty by the barrier, but they knew he’d be late.
‘Why is Simon always fucking late when he lives the closest?’ Bruno said.