Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

Call-me responds with his trademark smile. ‘Excellent. In that case you probably already know that Tabor was Karl-Jo’s studio, until he became too ill to work. You can still see his fingerprints on the bannister,’ he adds, gesturing towards the stairs. ‘This painting was the last piece he finished. He developed a serious eye condition that eventually left him almost blind, but he refused to leave here until the mural was completed, even though it took him almost ten years.’

Agnes clicks away again.

Anna moves closer – slowly, almost reverently. The painting is enormous, at least six metres wide and three high. It covers most of the wall. The motif is a pool surrounded by a forest. Flat rocks and steep, jagged cliffs encircled by autumn-coloured trees against a turbulent sky. The tones are muted, the surface of the water almost black. White splashes of rain can be seen here and there, disturbing the reflections of the leaves and rocks and making them change shape. As she gets closer the perspective shifts; the water almost seems alive. Anna doesn’t know a great deal about art, but she realises it must take great skill to achieve this effect. She is fascinated. The nearer she gets, the stronger the illusion of movement becomes, while at the same time her own anxiety is increasing. She tries her hardest to resist; she doesn’t want to hear what it has to say.

A faint noise makes her look back over her shoulder. Klein has taken a couple of steps into the chapel. He is facing the mural with his hands clasped in front of him, almost as if he is praying. His jaw is clenched, his eyes dark. The skin on his forehead and cheeks is thin, making the bones beneath protrude sharply, just like Håkan in the last weeks of his life.

Please help me, Anna!

Help me!

The anxiety breaks through her defences, passes through her mind like a gust of wind and whispers in her own voice that all of this – the move, the new job, the new life for her and Agnes – is one huge mistake.

Chapter 2

2

28 August 1990

Bruno and Alex were the first to arrive, as always. Alex parked his black Ford Escort by the barrier that closed off the dirt track, and they sat there for a few minutes with the sunroof and the side windows open, the car stereo going full blast.

Even though the nights were getting colder and beginning to turn the leaves yellow here and there, summer was having one last celebration, grabbing a few more days before it gave in to the inevitable. Which in turn meant it was time for their annual tradition – summer’s last dip in their secret place, Mörkaby quarry.

They had arranged to meet Simon at two thirty by the barrier, but they knew he’d be late.

‘Why is Simon always fucking late when he lives the closest?’ Bruno said.