Chapters (71)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Author’s Note
- Extract from Rites of Spring
- About the Author
She carries the rabbit over to the bins by the outbuilding, and after some hesitation chooses the one marked GENERAL WASTE. The wind has got up, the trees are swaying, and as she turns her back on the forest and sets off towards the house, she gets the same feeling she had the other day. She knows why – it’s because of Agnes’s question, and Håkan’s whispering. Is this far enough? Do you really think they won’t find you if they want to? You have to tell her, Anna!
*
That night the dream comes back, for the first time in months. The claustrophobic hospital room: Anna in the chair, Håkan in the bed beside her. The air is dry and smells of antiseptic, the light is subdued. Machines hum, tubes and wires are wound around one another like larvae, and somewhere underneath it all there is a frail human body. A body that was once Håkan, and is now in the process of slowly wasting away.
‘Please help me, Anna,’ he whispers. Raises a skinny hand and points to the machine next to the bed with a gnarled finger that ought to belong to a much older man. It is a square box with buttons at the front, an infusion pump sending morphine into his blood.
The tears come as always, blurring the image of the room. She hears his voice.
‘I don’t want to die, not like this. Please help me, Anna!’
New scene. An interview room.
Two internal investigators on one side of the table, Anna and her defence lawyer on the other side.
‘Did you do it?’ one of the investigators asks, and it takes a few seconds before she realises that the man is actually Jens Friberg.
*
She is woken by a noise. Or at least she thinks she heard something; she is suddenly wide awake, her heart pounding. She lies still, listening hard. The room is pitch dark; she can hear the faint sound of the wind outside. She sits up, checks her phone. Two o’clock in the morning – four hours until her alarm goes off. She needs a wee, and gets up quietly so as not to disturb Agnes and Milo. She pauses outside Agnes’s door, but all is peaceful.