Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

Henry Morell emerges from the main door of the police station before she reaches it. Presumably he has been standing inside, watching her. He is a big man, over six feet tall, and he must weigh around fifteen stone. Some of his bulk has settled around his waist, but not as much as in most of his contemporaries. He too is in uniform, which is a relief. Turning up wrongly dressed on her first day would be a bad start. Morell has a slight stoop and carries his weight on the balls of his feet; this stance, combined with the bushy eyebrows and the grey beard, makes him resemble an ageing bear.

‘Henry,’ he says, holding out an enormous paw. His smile is polite, but nothing more. ‘Welcome to Nedanås. It’s a little chilly this morning, but I thought we’d start with a tour anyway. There’s coffee in the car.’ He points to a Volvo; it’s dark blue and unmarked, but it is unmistakably a police car.

The interior smells of aftershave. There is a cardboard cup of coffee in the holder between the seats. Anna takes a sip as Morell manoeuvres the Volvo out into the street. The coffee is lukewarm, the atmosphere strained.

‘Sorry I’m a bit late.’ She makes an effort to speak slowly. ‘My daughter . . .’ She feels the stammer coming, pauses and changes tack. ‘It took longer to drive down from the ridge than I’d thought. The bends are quite sharp, and with the fog . . .’

Morell waves a dismissive hand.

‘You’ll soon get used to it. I believe you arrived on Friday – did the trip from Stockholm go well?’

‘It did, thank you.’

‘And you and your daughter have settled in at Tabor? Got everything sorted?’

‘More or less.’

His tone is neutral, neither friendly nor unfriendly. He has a Skåne accent, but it is easy to understand, not thick and guttural like Mats Andersson’s.

‘It’s a beautiful house, one of the finest on the ridge. Elisabet Vidje has held on to it fiercely for many years – refused to do anything to it, let alone sell it or rent it out.’ Something in his voice suggests that there is more to say on this topic, but Morell changes the subject.

‘So as I said, I thought we’d go for a little tour so that I can tell you what’s what. It will also give us the chance to get to know each other before you meet the rest of the team at the ten o’clock briefing.’

‘Sounds good!’ Her response is too cheerful, which irritates her. Better to remain neutral like Henry Morell rather than trying too hard.