Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

She spends the rest of the afternoon putting together her conclusions in the Rylander case, then sends them to the commissioner as agreed. She stresses the importance of the blackmail message, the incorrect position of the driver’s seat in the Saab, the missing mobile phone and the recently bandaged wound on Rylander’s leg – all reasons why his death shouldn’t be written off as a suicide, in her opinion. She knows that Morell will have contacted the commissioner on his way home; she is on tenterhooks waiting for another call, but nothing happens.

At exactly five o’clock she leaves her office and drives to the train station in an attempt to intercept Agnes when her train gets in. The Vespa isn’t parked among the other mopeds, which means she is too late. As she drives into the yard at Tabor she sees that the Vespa isn’t there either, and as Milo is eagerly waiting to be let out, it’s clear that Agnes hasn’t been back since they left the house this morning. So where is she?

Anna tries her mobile again, but as before it goes straight to voicemail. The Find My iPhone app is no help either, because Agnes seems to have deactivated it. When six o’clock comes and goes and dusk begins to fall, Anna is on the verge of panic. Even Milo knows that something is wrong; he keeps whimpering and wandering restlessly back and forth in the hallway. She wonders whether to contact the duty officers to check if there’s been an accident, but instead she takes Milo with her and goes out in the car to conduct her own search. She has just reached the main road when her phone rings. She slams on the brakes and grabs it. The screen is displaying a landline number that she doesn’t recognise.

‘Hello?’

‘Hello – is that Anna? It’s Elisabet Vidje.’

‘Hi.’ She peers through the windscreen, looking for Agnes’s Vespa.

‘Agnes is here with me. At Änglaberga.’

It takes a little while for the words to sink in.

‘With you?’

‘Yes, she’s in the kitchen. She’s pretty upset, poor soul. She read the article about you. And her father.’

Anna feels the icy hollow in her stomach open up again.

‘Anyway, we’ve had coffee and a chat. She’s a little calmer now, so I thought I’d better give you a ring. Can you come over?’

*

Anna parks in the same place as last time. She leaves Milo in the car and hurries along the gravel path. Elisabet is waiting for her by the arbour with the angel fountain. She is wearing a thick coat with a shawl draped around her head; it makes her look even thinner than usual, if that were possible.