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Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

Even though the factory had been vacant for four decades, it had taken them almost a year to convince the Provincial Board to let them take over the ramshackle building; even then, permission was only granted after they promised to undertake extensive restoration work and safety upgrades. The boys at KGB Productions had rubbed their hands with glee when they were given a thirty-year lease and the representatives of the city had heaved a sigh of relief at being rid of a perpetual problem. Dunker was full of buildings that the political powers that be had decided must be renovated and sanitised, while providing a virtually non-existent budget to do so; if a group of idiots wanted to shoulder the responsibility for driving out rats and junkies from the old dye house, then God spare them.

*

Karen parks down by Packhus Square and then trudges across the iron bridge to the other side of Forsete River, where she turns onto the ramp that leads up to the entrance to KGB Productions. There’s no sign on the nondescript door to indicate that, behind it, work is being done that will eventually touch every part of the music world.

She rings the buzzer and waits for the door to open.

‘Most of us are here,’ Kore tells her a few minutes later. ‘But do you really have to talk to everyone? Can’t you be a bit, you know . . . discreet?’

He lowers his voice and glances nervously at the girl at reception.

Karen gives him a weary look as he ushers her further into the building. Kore’s the one who wanted her to come and now he seems to have cold feet. Once they’re out of earshot of the receptionist, she stops abruptly, forcing him to do the same.

‘Calm down,’ she says. ‘I introduced myself as your friend, not a police officer. You’re not the only one who wants to fly below the radar on this. My boss has given me strict orders to be exactly that, discreet.’

‘Thank you!’

Kore seems to relax and Karen feels a flash of irritation.

‘You did ask me to come, remember?’ she says. ‘To talk to people, see if anyone knows anything? But look, don’t worry, I won’t get through everyone who was at the party today. Looked like about a dozen, does that seem right to you?’

‘I’ve got a list of names for you, but I haven’t counted how many are on it.’

‘I’m going to start with the people who were closest to Luna. Then we’ll see. But, hopefully, we’ll hear from her before I get around to talking to everyone. There are other things I’d much rather be doing.’

‘Where would you like to sit?’ Kore asks. ‘In a room where you can close the door or in Teglet?’