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Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

DTV’s logo fills the large screen the second Smeed plugs in his laptop. In silence, they watch the breaking news story that’s going to play all day, every thirty minutes, and that will probably crash DTV’s website.

Jon Bergman’s voice briefly summarising the police operation, the same old hackneyed phrases, such as ‘DTV can now reveal that . . .’, ‘. . . according to police sources’, along with pictures of Luna at the height of her fame. Flashing blue lights, sweeping shots of the barracks, a pan towards the house where Luna was kept, a uniformed officer barring the way before the camera can get inside.

And then two harshly lit faces with wildly staring eyes, Luna’s and Karen’s, before the ambulance doors are slammed shut.

‘What the fuck? I told them they weren’t allowed to—’

Karen breaks off and hears scattered laughter. Mirthless laughter. Everyone knows exactly what’s coming.

All hell is going to break loose. Right now, the press office seems to be holding firm, but it’s a rickety shield, doomed to break. And the media won’t be the only ones hounding them. Every last one of their colleagues is going to want to know what really happened and how it really played out. Curious relatives, friends who want the inside scoop, neighbours who suddenly stop by for a chat instead of just nodding and passing as usual.

Jounas Smeed clears his throat.

‘Well, I don’t think I need to tell you what everyone here no doubt already knows, but I will anyway,’ he says. ‘We have freedom of the press in this country. We also have an obligation to the people we are here to serve, be it an assaulted pensioner in Gaarda or a world-famous popstar. No one, and I mean no one is well served by more leaks.’

Silence. Everyone knows that.

Everyone also knows that there will probably be more leaks than ever now. Granted, DTV doesn’t offer money in return for tips, but the evening papers do. And the foreign journalists who are about to invade are likely to have deep pockets.

‘OK. We’re going to let you guys get out of here, then. Thank you again for a well-executed operation,’ Smeed says with a nod to the uniforms, who take the hint and shuffle out, looking disappointed at having been invited to the party only to be so summarily dismissed.

That they were allowed to be present for any part of the meeting is entirely in line with the new staff directives that stress the importance of ‘participation and the explicit recognition by senior management of all colleagues after the completion of a major operation or operation of particular significance’.

So, Smeed, I guess you did take that course, after all, Karen muses with a weary smile.

‘Is there any risk of the media making the connection with Billy Formby?’ Karl Björken asks the moment the door closes.