Back Cruel Tides
Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

The house, a 1960s affair with brown garage doors facing the street, is made of bricks. A balcony runs half the length of the first floor but despite its generous size, it looks unused: no hint of planters or furniture. The windows are small and far between, the front door is as depressing as the gravel path leading up to it. The whole scene makes a gloomy impression. But Karen knows from experience that houses like this one often look completely different from the back, with big windows overlooking a garden.

Faint light from the downstairs windows illuminates the gravel. They’re expected. Karen called from the car and explained to a drowsy and very annoyed Yngve Formby that the police need to speak to them, tonight. She didn’t tell him what it was about.

‘I assume I can’t stop you from coming to my house, but if this has anything to do with William, you’re wasting your time,’ he’d replied.

Karl slows down after passing the driveway, turns the engine off, and stretches out his neck. They’ve agreed he’s going to take the lead this time. The reason Karen gave for wanting to take a step back during their meeting with Billy Formby’s parents is that she would prefer to observe.

They both know that’s bullshit.

The question is whether Karl Björken will be any more successful at keeping his mouth shut and maintaining a civil tone. Neither one of them is looking forward to meeting Yngve and Idun Formby.

They’ve kept in close contact with the rest of the group during the drive. Smeed has confirmed that Astrid Nielsen, together with Cornelis Loots and two guys from forensics, are now in Billy Formby’s flat, looking for anything that might lead them to the location where Luna is being kept. Sören Larsen has let them know the image analyst feels certain the letters on the poster in the room spell out AMP.

‘Apparently, they’re sure the first letter’s A. We’re running a search for places and names that might be relevant, Larsen said.’

‘And I bet it’s going to turn out to be a tourist poster from Denmark or Norway that has nothing to do with anything,’ Karl had muttered after they hung up.

*

Now, they hear the buzzing of the doorbell on the other side of the front door’s frosted glass. They must have seen us drive up and yet, they make us ring the bell, Karen reflects. Her theory is confirmed when the door opens before she has even taken her finger off the button.