Chapters (83)
- Cover
- Maps
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- About the Author
The house, a 1960s affair with brown garage doors facing the street, is made of bricks. A balcony runs half the length of the first floor but despite its generous size, it looks unused: no hint of planters or furniture. The windows are small and far between, the front door is as depressing as the gravel path leading up to it. The whole scene makes a gloomy impression. But Karen knows from experience that houses like this one often look completely different from the back, with big windows overlooking a garden.
Faint light from the downstairs windows illuminates the gravel. They’re expected. Karen called from the car and explained to a drowsy and very annoyed Yngve Formby that the police need to speak to them, tonight. She didn’t tell him what it was about.
‘I assume I can’t stop you from coming to my house, but if this has anything to do with William, you’re wasting your time,’ he’d replied.
Karl slows down after passing the driveway, turns the engine off, and stretches out his neck. They’ve agreed he’s going to take the lead this time. The reason Karen gave for wanting to take a step back during their meeting with Billy Formby’s parents is that she would prefer to observe.
They both know that’s bullshit.
The question is whether Karl Björken will be any more successful at keeping his mouth shut and maintaining a civil tone. Neither one of them is looking forward to meeting Yngve and Idun Formby.
They’ve kept in close contact with the rest of the group during the drive. Smeed has confirmed that Astrid Nielsen, together with Cornelis Loots and two guys from forensics, are now in Billy Formby’s flat, looking for anything that might lead them to the location where Luna is being kept. Sören Larsen has let them know the image analyst feels certain the letters on the poster in the room spell out AMP.
‘Apparently, they’re sure the first letter’s A. We’re running a search for places and names that might be relevant, Larsen said.’
‘And I bet it’s going to turn out to be a tourist poster from Denmark or Norway that has nothing to do with anything,’ Karl had muttered after they hung up.
*
Now, they hear the buzzing of the doorbell on the other side of the front door’s frosted glass. They must have seen us drive up and yet, they make us ring the bell, Karen reflects. Her theory is confirmed when the door opens before she has even taken her finger off the button.