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Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

‘We have to talk to Billy’s adoptive parents,’ she says. ‘Unless the image analysis yields some useful results, they’re our best shot. And since the whole sad mess seems connected to how they treated him, he may have chosen a location they’re familiar with.’

‘An old summer house, maybe?’ Karl suggests. ‘It looks a bit like one.’

‘Possible. The décor looks dated, my guess would be it hasn’t been changed since the seventies.’

‘Or maybe that stuff’s fashionable again,’ Evald Johannisen puts in. ‘Last autumn, the missus sold a couple of bloody hideous orange table lamps we bought when we were newly-weds at a flea market. Six hundred marks she got for them. All I’m saying is that it could just as easily belong to someone who likes second-hand crap.’

No way is that wallpaper new, Karen thinks to herself. Everything seems to radiate stuffiness, age. It almost looks abandoned. How can he not see that?

‘Well, anything’s possible, I suppose,’ she says to keep Johannisen happy. ‘But the first order of business is the parents. I’m going up there right now and I’d like you to come, Karl. OK?’

He nods.

‘And we have to send someone to go through Billy’s flat again. To look for anything that might give us a clue to where he’s taken her. Old letters, postcards, diaries would be the dream, though I don’t think we have much reason to hope for any of that from a man his age. But he might have an old photo album. Or a computer. Would you mind coordinating with forensics, Astrid? Get Cornelis Loots to help you when he comes back.’

‘Shouldn’t we talk to Luna’s parents, too?’ Smeed asks. ‘What are their names?’

‘Stein and Randi Johanson, unless I’m misremembering,’ Karen says. ‘They have a son, too, by the name of Andreas. But Billy was given up at birth and nothing in the videos suggest he has had any contact with them. The chances of them being able to tell us where he took her—’

‘Are non-existent,’ Evald Johannisen breaks in sharply.

Something about his tone makes every head turn to him. Clearly pleased, he reverts to his usual drawl.

‘They’ll have a tough time saying anything at all, because they’re dead,’ he says.

‘Is that right? And how the fuck do you know that?’ Karl Björken says wearily.

‘Well, I might be wrong. Miracles have been known to happen. But my best guess would be that they’re the same Stein and Randi Johanson who were found beaten to death in their home in Ravenby this morning.’

This morning?

Has it only been a day since Smeed mentioned something about a possible double murder? About sending Johannisen to check it out?