Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

I park the car on the corner of 12th and W, just barely legal. I make sure everything is secured in my pack and exit. Tap the key fob to lock it up and walk. There is something soothing about the cicadas at this time of the evening, when the sun begins to set, like gentle waves seeping into the sand after they hit the shore.

I hear the rumble of a car’s big engine behind me, and when I turn I notice the marked patrol cruiser easing up to the curb and stopping. It’s gotta be someone I know. But then the emergency lights go on and the driver’s-side spotlight is directed at my face, blinding me, so I have to look down and shield my eyes.

What the fuck is this?

I’m thinking it’s all over, but then I realize no, it’s just one vehicle. If it had to do with the homicide, they sure as hell wouldn’t come at me with one patrol car. I hear the car door open.

“Please place the backpack slowly on the ground behind you.”

“What the hell is this about?” I ask with authority.

I move my head away from the direct light, shield it with my right hand so it doesn’t blind me so much. I see a young officer, looks like he’s fresh out of the academy, standing behind the open passenger door of the cruiser with his gun pointed at me. The strobing lights catch my attention, but only for a millisecond.

Fuck, I love those lights.

“I want to see your hands.”

“They’re right here and empty, Officer. Tell me what’s going on. My house is right down the street.”

“Turn around and lace your fingers over your head. Slowly step backwards toward the car.”

“I’m a retired DC police detective. Check my wallet.”

I hear him mumbling something to the driver.

“Now!” he commands.

I don’t think now is the time to tell him I’m armed. I slowly raise my hands over my head and lace my fingers.

“Now slowly walk back toward me until I say stop.”

I’m not about to argue with this fucking rookie, so I obey.

“You’re making a big mistake, Officer. I know most of the officials at 3D. Who is your supervisor?”

“Stop there!”

I hear him talking to the driver again.

“My name is Frank Marr. I know Fulton. He’s a captain at 3D. Hit him up on the radio.”

More talking.

Then: “Now get on your knees.”

Fuckin’ shit.

“You have me mistaken for someone else. Have the driver step out. I probably know him.”

I hear the driver say something unintelligible.

“On your knees, sir.”