Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

“What do you want me to do about those boys?” I ask.

“Damn. I got to tell you?”

I exhale a “Hmmph” like an uncomfortable chuckle.

“They your grandsons?”

“Not by my choice.”

“So this here is your home?”

“Bought and paid for by my deceased husband. You the damn tax man?”

I don’t know if she’s serious or if that was meant to be a joke.

“You got a phone in here? Cell phone, maybe?” I ask, scanning her nightstand and not seeing anything.

“No. Ain’t nobody I got to call or even want to. If I did, you got no worries, so get out now.”

“I need to make sure.”

She looks up toward the ceiling, closes her eyes.

“Do what you need to do, then go.”

How she can she stand the smell in here? Maybe it burned her sinuses out a long time ago.

I’m not going to do anything. I can’t. I don’t want to lift those covers to see what’s under there. I just want to get out of this room. It’s too much. I regret even being here.

I exit.

I’m an idiot. I know. If she does have a phone and calls the cops, I hope I’ll see them or hear them coming. And the same goes if she calls her grandsons. Somehow I doubt the latter.

I turn on my Streamlight and head to the rooms at the other end of the hall. The one on the left first.

I enter but don’t turn on the overheads. The light I carry is more than enough. Smells like lilac. Nose-piercing lilac. I don’t know if this is Younger’s or Older’s room. Doesn’t really matter. I’m going to hit both of them.

It’s a small room. One closet. No bathroom. Clothes and shoes clutter the floor. I have to walk on them to get around. It does act as padding to muffle the creaky floor.

I check the nightstand first.

Nice 9mm Sig. No holster. Box of ammo, lighters, little baggie of weed, which I pocket. I leave the gun, ’cause it’ll be more useful if I leave it here.

I check under the bed to find several shoe boxes, more dirty laundry, and a couple of CDs. I look at the titles. Not mine. I check the shoe boxes. Most of them are empty. Two contain brand-new sneakers, still tagged.

I move around to look under the other side of the bed. Nothing worthwhile, so I lift all sides of the mattress and find only a large chef’s knife. I guess that would be the last resort if the gun doesn’t work.

I tear the closet apart, find another baggie of weed, maybe an ounce. Slip that into my pack.