Back Atlanta Burns Save as PDF
Chapters (50)
  1. Title Page
  2. Copyright Page
  3. Dedication Page
  4. CONTENTS
  5. PART ONE: SHOTGUN GRAVY
  6. Sometimes she wakes…
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. PART TWO: BAIT DOG
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. CHAPTER FIFTEEN
  23. CHAPTER SIXTEEN
  24. CHAPTER SEVENTEEN
  25. CHAPTER EIGHTEEN
  26. CHAPTER NINETEEN
  27. CHAPTER TWENTY
  28. PART THREE: THE FARM
  29. CHAPTER TWENTY-ONE
  30. CHAPTER TWENTY-TWO
  31. CHAPTER TWENTY-THREE
  32. CHAPTER TWENTY-FOUR
  33. CHAPTER TWENTY-FIVE
  34. CHAPTER TWENTY-SIX
  35. CHAPTER TWENTY-SEVEN
  36. CHAPTER TWENTY-EIGHT
  37. PART FOUR: KISSING FIRE
  38. CHAPTER TWENTY-NINE
  39. CHAPTER THIRTY
  40. CHAPTER THIRTY-ONE
  41. CHAPTER THIRTY-TWO
  42. CHAPTER THIRTY-THREE
  43. PART FIVE: BAIT GIRL
  44. CHAPTER THIRTY-FOUR
  45. CHAPTER THIRTY-FIVE
  46. CHAPTER THIRTY-SIX
  47. CHAPTER THIRTY-SEVEN
  48. EPILOGUE: THE MESSAGE
  49. ACKNOWLEDGMENTS
  50. ABOUT THE AUTHOR

The U.S. Gas is four pumps under a cockeyed red, white, and blue roof. It’s a dingy convenience store surrounded by a parking lot cracked and cratered as if peppered by tiny meteorites. Above, tinny speakers play some new country music—not old-school country music, but rather the kind that’s basically just earworm pop crap sung by some rich kid who will never know true grief in her heart.

Atlanta slides into the phone booth, finds a phone book dangling by a red lacquered chain. What was Chomp-Chomp’s last name again? Burkholder. Right. Only one set of Burkholders in the book, blessedly—unusual for a town where families breed like lusty rabbits (everywhere you go you meet a Troxell; those thick-witted bastards are like dandelions sprouting up and blowing their seed). She dials the number.

A man answers. Gurgles. Snorts. “. . . the hell is this?”

“Steven, please.” She tries to be polite about it.

“It’s two thirty in the morning.” Another gurgle-snort.

More politeness made all the easier by her own Southern accent. “I understand and apologize, sir, but I’m a classmate of his, and I really need to talk to him.”

The phone clunks and thumps as the person on the other end sets it down.

Atlanta tries not to listen to the awful Nashville pop, instead focusing on the crickets beyond and the buzz of the lights overhead, lights surrounded by little clouds of gnats and skeeters. Eventually someone picks up.

“Got it,” comes Cho—er, Steven’s voice.

Someone—the father—grunts and hangs up the phone.

“Hello?” Steven asks. Not groggy. Not gurgle-snorty. In the background: a TV with the volume turned down.

“Doesn’t sound like I woke you,” she says.

“I wasn’t sleeping. I, uh, don’t sleep much.” Pause. “Atlanta?”

“Yeah. It’s me.”

“Hi. Wh . . . uhh. What’s up?”

“Think I found the dog killers. Had one of ’em on the ropes and . . .” She neglects to mention the crotch kick because it seems unladylike, even for her. “She got the better of me. We went to school with her. Got a name like Vanessa or Tessa or something. She’s dumpy, listens to that dopey clown-rapper duo—”

“ICP. I like ICP.”

“Ick, whatever. She’s covered in tattoos—like, I think her shoulder is covered in a . . . a . . . a fishing net or something.”

“A spiderweb?”

“Oh.” Blink. Blink. “Yeah, I guess that makes more sense. A spiderweb, then.”

“That’s Tressa Kucharski.”

Oh, snap. She has to laugh. She didn’t make the connection. “Tressa ‘the Cooch’ Kucharski?”

“Yeah, I guess they call her that sometimes.”

They also say that having sex with her is like throwing a hot dog down a hallway. Or for the regional variation, waggling a kielbasa in a coffee can. “You know her?”