Chapters (50)
- Title Page
- Copyright Page
- Dedication Page
- CONTENTS
- PART ONE: SHOTGUN GRAVY
- Sometimes she wakes…
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- PART TWO: BAIT DOG
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- PART THREE: THE FARM
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- PART FOUR: KISSING FIRE
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- PART FIVE: BAIT GIRL
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- EPILOGUE: THE MESSAGE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
“What?” Shane asks. Like for a second he’s not sure if she’s serious.
“I did it. I stirred up the shit. Mitchell Erickson warned me. Told me not to go poking snakes.” She bites down on the inside of her cheek to stop herself from crying. The taste of blood brightens her tongue. “If somebody killed him, it’s because of what I did.”
“We all did it. It was all three of us.”
“No!” she says, angry. Not at him, but anger is anger and he shrinks back. “I was the one with the shotgun. I was the one who marched into the barn, who set up Jonesy and Virgil . . .” She doesn’t even mention that Jonesy ended up in the hospital with a broken nose and broken ribs, another vengeful spirit who will surely come looking for a pound of flesh. “It was me all the way—the hand on the stick, the finger on the trigger.”
“Atlanta, we have to find out who killed Chris. Make them pay. Bring them to justice.”
She laughs, but it isn’t a happy sound. “Justice. Who are you? The sheriff? The lawman who wants to bring order to town? Wrangle up the outlaws and make things right? We tried that already, Shane. And let me tell you: we were not up to the task.”
“But Chris would want us to—”
“Chris is dead!” she yells. “Chris doesn’t want anything now.”
“Atlanta . . .”
But it doesn’t matter. She doesn’t want to hear him. She grabs her bag, throws Shane the vodka. Then she pushes past him and walks away, threading herself between the stones of the dead, walking the wobbly walk of the drunken and alive.
That night she goes to clean her shotgun. Back to the coat hanger with a paper-towel wad at the end and a little spray of WD-40. Crumbs of powder tumble out the end of the barrel, and she finds an empty .410 shell in the breach, green casing uncrimped and openmouthed from when the gun last coughed up a spray of pellets.
Halfway through, she has to put the gun away. Can’t do it.
Can’t do any of this. Can’t solve Chris’s murder. Can’t bring him back. Can’t help Shane. She’s not equipped for any of this.
Her mother’s been hovering over her like a cloud of gnats since Chris died, and tonight’s no different, with Mama asking Atlanta if she wants anything at all, and Atlanta thinks, I could really use a hug, but for some reason she doesn’t say that and instead just shakes her head. Then closes the door and feigns sleep. This night. The next. And so many others after.
CHAPTER FOURTEEN
CHAPTER FOURTEEN
It’s the last day of school for the year. Atlanta passed. B-pluses across the board, except in Mrs. Lewis’s English class, where she squeaked by with an untidy (but still passing) C-minus.