Chapters (50)
- Title Page
- Copyright Page
- Dedication Page
- CONTENTS
- PART ONE: SHOTGUN GRAVY
- Sometimes she wakes…
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- PART TWO: BAIT DOG
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- PART THREE: THE FARM
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- PART FOUR: KISSING FIRE
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- PART FIVE: BAIT GIRL
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- EPILOGUE: THE MESSAGE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
Funny thing is, she was going to apologize to her mother. That was the talk she hoped to have. She wanted to say, “Mama, I’m sorry, but the reason the mortgage bill is due is because I pissed off a very powerful man who has ties to the bank and I’m going to try to help make this right and I got a job and it’ll help pay a couple months and I’m sorry again.”
But it didn’t go like that.
It never goes like that.
Arlene stepped in it. Opened her mouth, stuck her pink-painted toenails all up in there. Wiggled ’em good, too. And now all Atlanta can think about is how mad she is at her mother and how this is actually Arlene’s fault—it was Arlene who didn’t pay the mortgage, which opened the door just wide enough for the rats to come creeping in. It was Arlene who had a bad boyfriend, a boyfriend who saw Atlanta as dessert under glass, a young girl who surely didn’t mean those words she kept saying over and over again—no, don’t, stop—and who cried so hard not because she was sad but because she was overwhelmed by the strong emotion of it all.
Again that gunpowder stink. The shotgun’s in the closet, but Atlanta can feel it there, can almost see it through the wall like she’s got fucking X-ray vision or something. She hears a man screaming. Here, in this room, in her bedroom. But not now. Then.
The blast of a gun and blood on the sheets.
Atlanta rubs her eyes.
With an angry, darting hand she snatches the folder, opens it again. Flashes of raw skin, wounds, blood. She slams the folder shut again. It’s like a horrible drug, an ugly hit straight to her soul—a car-battery jump, crass but effective. It focuses her, lets her put Arlene and the house out of her mind.
It’s then that Atlanta starts to put together a plan.
Or, at least, the first step of one.
CHAPTER SEVENTEEN
CHAPTER SEVENTEEN
The vet’s office smells like animal. All kinds of animal, given that this is a farm vet. Horse musk and dog shit and cat piss and rabbit fear. A big, poofy Persian cat that looks like Ron Swanson stalks the counter. Back and forth, back and forth, occasionally pausing to survey his leonine domain. Then back to pacing. His domain isn’t much to look at. The waiting room has a floor of gray tiles, some cracked. The walls are white popcorn. Ceiling, too. Everything cast in a swimmy, fluorescent glow, lights occasionally buzzing and snapping like a bug zapper.
The woman behind the counter is a dainty thing with knuckle-bones where her cheekbones should be; they bulge out like sharp corners. She says, for the second time, “I’m sorry, but the doctor’s with a patient.”