Back Admission
Chapters (56)
  1. Cover
  2. Also by Julie Buxbaum
  3. Dedication
  4. Epigraph
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. CHAPTER THIRTY-THREE
  38. CHAPTER THIRTY-FOUR
  39. CHAPTER THIRTY-FIVE
  40. CHAPTER THIRTY-SIX
  41. CHAPTER THIRTY-SEVEN
  42. CHAPTER THIRTY-EIGHT
  43. CHAPTER THIRTY-NINE
  44. CHAPTER FORTY
  45. CHAPTER FORTY-ONE
  46. CHAPTER FORTY-TWO
  47. CHAPTER FORTY-THREE
  48. CHAPTER FORTY-FOUR
  49. CHAPTER FORTY-FIVE
  50. CHAPTER FORTY-SIX
  51. CHAPTER FORTY-SEVEN
  52. EPILOGUE
  53. AUTHOR’S NOTE
  54. ACKNOWLEDGMENTS
  55. ABOUT THE AUTHOR
  56. What’s next onyour reading list?

On the porch, seven men spread out in a line, all wearing black bulletproof vests, lettered like my pants (though theirs say FBI, not WVHS, of course), guns pointed in that way you see on television procedurals. Two-handed grips. Serious faces.

This must be some sort of joke, I think.

My mother’s fiftieth birthday is coming up, though she has so far refused to acknowledge it, partly because according to IMDB and Wikipedia, she’s only forty-five. The only reasonable explanation for the scene in front of me that I can conjure up on such short notice is this: It’s a gag. These men are strippers. As soon as my mom makes her grand entrance, cheesy techno music will start blaring and they’ll all do that one-piece tear-off. A choreographed move down the line, like Rockettes. Aunt Candy, my mother’s best friend, is exactly the sort of person who would think sending FBI strippers to your door at 6:30 a.m. is hilarious. When she had a colonoscopy last spring, she blew up the black-and-white picture of her poop-flecked insides, had it expensively framed, and sent it to us as a Christmas present with a card that said, Now you know me inside and out. My mom hung the photo in the guesthouse bathroom, and if you didn’t know any better, you’d think it was a modern art masterpiece and not what it really is: proof that Aunt Candy is literally full of crap.

“Can I help you?” I ask, smiling despite the hour. Because it’s still funny, this before-moment, when I think that I’ll get to see these semi-handsome muscley men undress and dance. When I still believe they’re carrying toy guns and not semiautomatic assault rifles. When my default was friendly, not defensive.

“We’re here for Ms. Joy Fields,” they say, and at the exact same minute, I hear my mom exclaim in a panic: “You weren’t supposed to answer the door.”

My mother, Joy Fields—who you probably already know as Missy, the surrogate for the two gay dads on the long-running aughts CBS sitcom My Dad, My Pops, and Me, or more recently as the queen in Blood Moon, the royal vampire show on the CW—is an actress, and therefore, I don’t react when I hear her nervous voice behind me. She’s won six People’s Choice Awards, she can weep on command, and sometimes she speaks with a British accent just for fun.

Which is to say, my mother can be a little dramatic.

Then again, as the world will learn mere minutes from now, I can be a little oblivious.

“What’s going on?” I ask.