Admission
Chapters (56)
- Cover
- Also by Julie Buxbaum
- Dedication
- Epigraph
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- CHAPTER FORTY-FIVE
- CHAPTER FORTY-SIX
- CHAPTER FORTY-SEVEN
- EPILOGUE
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- What’s next onyour reading list?
Cover
Also by Julie Buxbaum
Tell Me Three Things
What to Say Next
Hope and Other Punch Lines
Dedication
For Halee Hochman: my first friend and my first phone call should I ever need to dispose of a body.
Epigraph
Jerry, just remember…it’s not a lie if you believe it.
—George Costanza, Seinfeld
CHAPTER ONE
Now
My younger sister, Isla, will claim that she heard the footsteps before the doorbell rang, like a swelling movie score. On. The. Count. Of. Three. That she knew then what was to come. The guns, the hard metal handcuffs, the cameras, the headlines, the conversion from human being into meme.
The everything being over, just like that.
I don’t believe her.
Isla has also sworn that she had a dream about an earthquake the night before the big one in Thailand last fall, that she suspected Beyoncé was going to drop that surprise album, that three years ago she predicted everyone would grow tired of cupcakes and start eating macaroons instead. Which is to say that Isla likes to be the first to know stuff, to take credit for willing into being that which is incapable of being willed. I am always the last to know. Maybe this is the biggest difference between us, how comfortable we are anticipating that which can’t be anticipated, how prepared we are for that for which we can’t prepare.
I am not ready. The apocalypse shouldn’t arrive when you’re in flip-flops or wearing sweatpants that have your high school’s acronym (WVHS) spread along your backside. At least, this wasn’t how I’d always pictured the end: I’d expected to need a stash of batteries and a flashlight and canisters of water, none of which would have helped make this moment any easier.
I certainly didn’t expect hungry paparazzi with cameras slung around their necks.
I hear the doorbell, which triggers a Pavlovian burst of joy. The doorbell usually announces the arrival of something good: cosmetics I ordered from Sephora, a swag box from the studio that my mother will pass on to me and Isla; less often and less exciting but still plausible, a script sent in a rush from her agents, which may mean a new shooting location for my mom and a family adventure. Vancouver or Atlanta. Last time, Scotland. Once, luckily, New Zealand.