Back Admission
Chapters (56)
  1. Cover
  2. Also by Julie Buxbaum
  3. Dedication
  4. Epigraph
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. CHAPTER THIRTY-THREE
  38. CHAPTER THIRTY-FOUR
  39. CHAPTER THIRTY-FIVE
  40. CHAPTER THIRTY-SIX
  41. CHAPTER THIRTY-SEVEN
  42. CHAPTER THIRTY-EIGHT
  43. CHAPTER THIRTY-NINE
  44. CHAPTER FORTY
  45. CHAPTER FORTY-ONE
  46. CHAPTER FORTY-TWO
  47. CHAPTER FORTY-THREE
  48. CHAPTER FORTY-FOUR
  49. CHAPTER FORTY-FIVE
  50. CHAPTER FORTY-SIX
  51. CHAPTER FORTY-SEVEN
  52. EPILOGUE
  53. AUTHOR’S NOTE
  54. ACKNOWLEDGMENTS
  55. ABOUT THE AUTHOR
  56. What’s next onyour reading list?

The anchorperson, Brittany Brady, stands off to one side while a woman powders her face and a man lint-rolls down her suit. A third person tapes a mic to her lapel.

In the corner, Paloma talks with a dark-haired woman who reminds me of Hudson’s mom—same blunt bangs and grim smile. They seem deep in conversation, unaware of the commotion around them.

“She’s the producer, I think,” Isla says, gesturing over to them. “I’d bet they’re going over the terms of the interview.”

“Do you know what’s going on? What’s the point of all of this?” I ask.

“I assume damage control? So Mom can spin her story? Seems like a risky strategy to me,” Isla says.

“I spoke to my lawyer yesterday. I think I’m at least in the clear, legally speaking,” I say. “For real.”

“Thank God,” Isla says, and grabs me in a quick hug. We’ve recently become sisters who touch.

I thought I’d feel real relief from this news. Instead, the shame sits ever-present, like a gravitational force. I let my mind wander to Mrs. Oh’s definition of me being fine, a thing I do often now, the way you’d wiggle a loose tooth. I tell myself that I’ll figure out one day how to live a long and authentically good life, like she promised.

Isla and I look back out at the set, which isn’t a set but our house. The doubling of my mom’s professional life and our personal life feels weird, though not altogether unfamiliar.

“I’m nervous. I don’t think Mom realizes how much people hate her. She’s so used to being Missy, right? I don’t think she gets that this could be a really tough interview,” Isla says.

Our mother stands off to the side with my dad. They make such a striking couple, even with both of them at their most toned-down. They’re holding hands, and my mother is nodding. I bet Dad is giving her a pep talk.

“She knows,” I say. “Look, she’s nervous.”

My unflappable mother seems shaken and pale, the same way she looked when she was walking into the ER to see Hudson. Like she knew it could be the worst-case scenario.

“Maybe,” Isla says. “By the way, I haven’t told Mom and Dad yet, but I’m not going back to Wood Valley next year. I’ve registered myself for Beverly Hills High.”

“Public school,” I say, using my mother’s best scandalized voice, the one she would use on My Dad, My Pops, and Me whenever her fictional kid did something wrong. Isla laughs.

“I know, right? They’re going to freak.”