Chapters (100)
- Half Title
- Also By Natalie Fergie
- Title Page
- Copyright
- Dedication
- Contents
- 2011
- Chapter 1
- Chapter 2
- 1908
- Chapter 3
- 1910
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- 1921
- Chapter 31
- 1931
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- 1951
- Chapter 50
- 2011
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- 2021
- Chapter 78
- Chapter 79
- Chapter 80
- 2022
- Chapter 81
- Parkin
- Acknowledgements
- About the Author
- About Embla Books
‘I’ll probably hit the wrong place and ruin it,’ Georgia displays an uncharacteristic lack of confidence, ‘but if you insist.’ She smacks the claws of the hammer into the board, at chest height, where the space above the oven would be, and levers the board towards her. She does it again, and again, until there is a channel across the top, and she can push her fingers into the gap and give the board a tug. At first nothing happens, and she leans backwards, bracing herself, legs apart, feet planted on the floorboards. There is a cracking sound, and she starts to tumble backwards. Stan leaps to catch her as the wall gives way and a large sheet of board and plaster fall into the room. Through the cloud of grey dust, a huge black hunk of metal is visible below the mantelpiece at last.
Stan picks the hammer up from the floor and passes it back to Georgia. She starts again, pulling off smaller sections of board. Little by little, the whole range is revealed.
‘You’ll be able to use the frame for kindling if I chop it up for you,’ says Stan. ‘But first we need a brush and a shovel.’ They stand aside as he sweeps the floor slowly, sprinkling water onto the mess to minimise the amount of dust that billows up. His floppy white hair has fallen forward and he pushes it back and out of his eyes.
Tess can see that he must once have been a good-looking man. He still is. She drags herself back to the present and examines the range. ‘That’s quite a lump of ironwork.’
Georgia nods. ‘It wasn’t just a cooker, it heated all the hot water when I was growing up as well. It had to be on all year, and if it was raining we used to dry the clothes on the pulley in here. It was cosy in the winter, but I can remember it being absolutely sweltering in the summer. Annie was so, so pleased to have an electric cooker instead. Nowadays we look at something like this with rose-tinted spectacles, but it wasn’t easy to manage or to keep stoked up. There was definitely an art to it.’
‘I expect it would polish up a treat,’ says Stan. ‘It’s a fine example of domestic engineering.’