Chapters (100)
- Half Title
- Also By Natalie Fergie
- Title Page
- Copyright
- Dedication
- Contents
- 2011
- Chapter 1
- Chapter 2
- 1908
- Chapter 3
- 1910
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- 1921
- Chapter 31
- 1931
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- 1951
- Chapter 50
- 2011
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- 2021
- Chapter 78
- Chapter 79
- Chapter 80
- 2022
- Chapter 81
- Parkin
- Acknowledgements
- About the Author
- About Embla Books
‘I can. My dad taught me when I was a teenager. I made a fresh colour request at least once a year and he said that if I wanted it done so often then I had to learn to do it myself.’ She smiles at the memory. ‘My room had so many coats of paint the bumps in the wood-chip paper almost vanished.’
‘There is an expectation that you will work, whether that’s paid or as an unpaid volunteer. I’m not talking about sixty-hour weeks or anything foolish like that, though, just whatever you feel is right for you, even if it’s just a few hours. If you don’t have a job at the moment, I might ask you to help me with some things that need doing. Cutting the grass in the summer or going to the supermarket. That sort of thing. Obviously, if you are ever unwell and unable to work for any reason, that would be different. Everyone is entitled to be looked after if they are poorly.’
Tess follows Georgia into a big room at the front of the house. An elaborate plaster cornice runs around the walls at ceiling height, and the room is dominated by a huge fireplace with a correspondingly large draught coming down the chimney.
‘Not the warmest room, but rather beautiful in its own way. I usually save this for women who are expecting because there’s room for a cot and all that sort of paraphernalia.’
Tess doesn’t know what to say. She feels her stomach lurch. And suddenly Patrick is back in her head again, unbidden and unwanted. She cannot think of an appropriate reply, or indeed any useful response at all. She is saved by Georgia, who ushers her out and walks across the landing to a second room, which is smaller and has a less impressive fireplace.
‘I think you should have this one.’
Tess realises that she is now above the kitchen, and she can already feel the difference in temperature. The room is empty apart from an old-fashioned mahogany wardrobe and an outrageously fluffy purple rug. She wonders why Georgia doesn’t have the big room for herself. As the thought comes into her head, Georgia answers the question.
‘In the old days the big room was the parlour, but that was long before my time. When my mother was a student at the university, she shared it with a friend, and then she lived here with my father after they got married.’
Tess isn’t sure if she should respond to this morsel of family history, but Georgia doesn’t wait.