Back 25 Library Terrace
Chapters (100)
  1. Half Title
  2. Also By Natalie Fergie
  3. Title Page
  4. Copyright
  5. Dedication
  6. Contents
  7. 2011
  8. Chapter 1
  9. Chapter 2
  10. 1908
  11. Chapter 3
  12. 1910
  13. Chapter 4
  14. Chapter 5
  15. Chapter 6
  16. Chapter 7
  17. Chapter 8
  18. Chapter 9
  19. Chapter 10
  20. Chapter 11
  21. Chapter 12
  22. Chapter 13
  23. Chapter 14
  24. Chapter 15
  25. Chapter 16
  26. Chapter 17
  27. Chapter 18
  28. Chapter 19
  29. Chapter 20
  30. Chapter 21
  31. Chapter 22
  32. Chapter 23
  33. Chapter 24
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. 1921
  41. Chapter 31
  42. 1931
  43. Chapter 32
  44. Chapter 33
  45. Chapter 34
  46. Chapter 35
  47. Chapter 36
  48. Chapter 37
  49. Chapter 38
  50. Chapter 39
  51. Chapter 40
  52. Chapter 41
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. 1951
  62. Chapter 50
  63. 2011
  64. Chapter 51
  65. Chapter 52
  66. Chapter 53
  67. Chapter 54
  68. Chapter 55
  69. Chapter 56
  70. Chapter 57
  71. Chapter 58
  72. Chapter 59
  73. Chapter 60
  74. Chapter 61
  75. Chapter 62
  76. Chapter 63
  77. Chapter 64
  78. Chapter 65
  79. Chapter 66
  80. Chapter 67
  81. Chapter 68
  82. Chapter 69
  83. Chapter 70
  84. Chapter 71
  85. Chapter 72
  86. Chapter 73
  87. Chapter 74
  88. Chapter 75
  89. Chapter 76
  90. Chapter 77
  91. 2021
  92. Chapter 78
  93. Chapter 79
  94. Chapter 80
  95. 2022
  96. Chapter 81
  97. Parkin
  98. Acknowledgements
  99. About the Author
  100. About Embla Books

Tess finds Library Terrace without any difficulty. Sandwiched between Morningside and Newington, just to the south of the grand houses in the Grange, it’s a wide street, with café latte-coloured two-storey houses set out in pairs on both sides. Number 25 is halfway along. She stands outside the gate for a minute. The front garden has a single tree in the middle, and around it, crocuses and snowdrops poke their hopeful leaves skywards.

Baxter waits obediently beside her, his nose twitching at the new smells.

‘Right, Bax. Let’s see if this is going to work.’ The gate squeaks as she opens it. Before she gets as far as the green front door, it is opened by a woman with surprisingly short salt-and-pepper hair who is wearing a scarlet dress and sunflower-yellow Crocs. She looks, thinks Tess, rather like Judi Dench, if Judi Dench had curls. ‘I’m Tess Dutton. I have an appointment at two o’clock?’

‘And I am Georgia Williams, do shut the door quickly, it’s wickedly chilly today. Hang your coat up somewhere and come through.’

The coat rack is full of jackets and scarves. A purple fleece and a navy-blue waterproof hung up by its wired hood are already looped onto the brass hooks. A well-worn, dark-olive waxed gilet with a piece of string sticking out of one pocket has fallen on the floor. Tess picks it up, and in the absence of any empty hooks, she drapes it over the newel post at the foot of the stairs and adds her own coat on top.

‘Hello?’ she calls out along the empty hall, unsure where to go next. Baxter’s nose is still twitching.

‘In here.’ The voice comes from what seems to be several rooms away.

Tess makes her way past a hall table bearing a basket which is overflowing with gloves and mittens all jumbled together. She itches to pair them up.

At the end of the hall on the right is a doorway. The door is open and weak winter sunlight casts a shadow on the tiled floor. She keeps Baxter on his lead and walks towards the back of the house.

The kitchen is busy. It’s the first word that comes to Tess’s mind.

Georgia moves her shopping basket off the table and puts it on the floor, making space for a teapot and a plate of parkin, cut into squares. ‘Sit,’ she says.

Baxter sits.

Followed by Tess.

‘Mr McKay tells me that you are looking for a room.’ Georgia pours herself a mug of tea and adds milk from a bottle in the middle of the table. She turns the teapot so the handle is facing Tess. ‘Help yourself; tea is a very personal matter, I think.’

‘Thank you. And yes, I am.’