Back What Beauty There Is Save as PDF
Chapters (72)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. I
  5. II
  6. III
  7. IV
  8. V
  9. VI
  10. VII
  11. VIII
  12. IX
  13. X
  14. XI
  15. XII
  16. XIII
  17. XIV
  18. XV
  19. XVI
  20. XVII
  21. XVIII
  22. XIX
  23. XX
  24. XXI
  25. XXII
  26. XXIII
  27. XXIV
  28. XXV
  29. XXVI
  30. XXVII
  31. XXVIII
  32. XXIX
  33. XXX
  34. XXXI
  35. XXXII
  36. XXXIII
  37. XXXII
  38. XXXI
  39. XXX
  40. XXIX
  41. XXVIII
  42. XXVII
  43. XXVI
  44. XXV
  45. XXIV
  46. XXIII
  47. XXII
  48. XXI
  49. XX
  50. XIX
  51. XVIII
  52. XVII
  53. XVI
  54. XV
  55. XIV
  56. XIII
  57. XII
  58. XI
  59. X
  60. IX
  61. VIII
  62. VII
  63. VI
  64. V
  65. IV
  66. III
  67. II
  68. I
  69. ∞
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR
  72. Newsletter Sign-up

Bardem walked to the Land Rover and opened the door and got in. He started the engine. He turned the lights on and drove back toward town.

At the sporting goods store he bought a handheld police scanner and batteries. He picked up a police transmission just southwest of Saint Anthony, crossing over North Fork Bridge. He turned the dial, listening. They had not found the correctional officer yet.

He pulled up to the house shortly before dusk and switched off the headlights. There was a mailbox with the name DAHL written on it in black marker. A hedge of dead roses. At the end of the drive were a house and a barn. Everything veiled in the evening fog. Beyond the hedge, a field of dead bracken. He turned into the drive and approached slowly through the snow. Clapboards with scaling paint. No movement. When he got out, he carried a shotgun.

He climbed the plywood porch steps and tapped his knuckles on the door and waited. Nothing. He switched off the shotgun’s safety. Then he opened the door and went in.

In the living room, he stood and listened. The dark shapes and the quiet. Faint smell of rot. A rocking chair by the stove and a highboy with drawers ajar. Somewhere a clock ticked.

He walked upstairs and down the hall and looked in the bedroom and in the closet. A housecoat on a plastic hanger. It was cold in the room. There had been no fire for a while. He pushed open the bathroom door and then went down to the kitchen.

When he flipped the light switch, nothing happened. He switched on the shotgun’s safety and set it on the Formica table.

He walked to the sink and tipped up the faucet and ran a drizzle of water over his hands. The pipes were near frozen. He patted his hands on a towel hanging from the refrigerator handle. From the cupboard he took out a plastic tumbler and filled it with tap water and stood drinking. Dull winter moonlight. The shadows of tree branches moving on the linoleum floor.

He set the half-full tumbler on the counter. He opened all the cupboards. Baking soda. Pyrex dishes. In the pantry, a can of sugar.

He sat at the table and read the mail lying there. Next to the mail was a little toy car. A green Ferrari. He picked up the car and studied it in the frail glow of the moon. He rolled the tires over the Formica, watching the little wheels turn. He put the car in his shirt pocket.

He picked up the shotgun and crossed to the living room and opened the front door. He stood under the eave, inspecting the night. His pale breath rising.

Darkness. Trees rustling in the wind.