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Chapters (21)
  1. Cover
  2. Foreword: Writers Are Weird
  3. The Peacock’s Shadow – E. Hoffman Price
  4. The White Lady of the Orphanage
  5. The Terrible Old Man
  6. The Woman of the Wood
  7. Bat’s Belfry – August W. Derleth
  8. The Curse of Everard Maundy
  9. The Tomb
  10. Saladin’s Throne-Rug – E. Hoffmann Price
  11. The Dog-Eared God – Frank Belknap Long, Jr.
  12. The City of Spiders – H. Warner Munn
  13. The Cats of Ulthar
  14. Back to the Beast – Manley Wade Wellman
  15. A Suitor from the Shades – Greye La Spina
  16. Pickman’s Model – H.P. Lovecraft
  17. The Atomic Conquerors
  18. Original Publication Information
  19. About the Editors
  20. If You Liked…
  21. WordFire Classics

But Hiram, loyal to the last, has held faith in me, and has done that which impels me to make public at least a part of my story. A week ago, he burst open the lock which chains the door of the tomb perpetually ajar and descended with a lantern into the murky depths. On a slab in an alcove, he found an old but empty coffin whose tarnished plate bears the single word “Jervas.” In that coffin and in that vault, they have promised me I shall be buried.

Saladin’s Throne-Rug – E. Hoffmann Price

I would cheerfully have committed murder for that rug; but as it is …

Morgan Revell smiled at the memory of his exceeding cleverness, and regarded the throne-rug of Saladin with that fanatic affection comprehensible only to a collector …

The savage jest of it is that he did commit murder. Only he doesn’t know it. Nor, for that matter, do I absolutely know. But, piecing it all together, and taking into account the emotions that take possession of a rug collector, I can draw but one inevitable conclusion. And that is—

But to approach the matter at all, some explaining is necessary. First of all, you who regard a rug as something to hide the nakedness of a floor must revise your conception of things. It is all very true that the machine-made atrocities of this country, as well as the precious weaves of the Orient, are indeed used as floor coverings; something on which to walk, something to give the vacuum cleaner its excuse for existing. But that is only a part of it: Oriental rugs are works of art, the peer of any of the numerous products of man’s instinct to create unbelievable and imperishable beauty. And just as there are those who collect the works of ancient silversmiths, armorers, cabinetmakers, and bookbinders, so likewise are there those whose consuming passion and sole aim in life is the accumulating of antique specimens of Oriental weaving: rugs from Bokhara and silken Samarcand, from Shiraz, and Herat of the Hundred Gardens; prayer rugs, palace carpets, or the priceless fabric that graced the floor of a nomad’s tent in Turkestan. Rugs are many, and their enumeration lengthy; and the study of their personality and traits is the pursuit of a lifetime. Some are prized for their beauty and matchless craftsmanship; others for their exceeding rarity; and some for the sake of all those qualities.