Back Weird Tales
Chapters (21)
  1. Cover
  2. Foreword: Writers Are Weird
  3. The Peacock’s Shadow – E. Hoffman Price
  4. The White Lady of the Orphanage
  5. The Terrible Old Man
  6. The Woman of the Wood
  7. Bat’s Belfry – August W. Derleth
  8. The Curse of Everard Maundy
  9. The Tomb
  10. Saladin’s Throne-Rug – E. Hoffmann Price
  11. The Dog-Eared God – Frank Belknap Long, Jr.
  12. The City of Spiders – H. Warner Munn
  13. The Cats of Ulthar
  14. Back to the Beast – Manley Wade Wellman
  15. A Suitor from the Shades – Greye La Spina
  16. Pickman’s Model – H.P. Lovecraft
  17. The Atomic Conquerors
  18. Original Publication Information
  19. About the Editors
  20. If You Liked…
  21. WordFire Classics

Once one has succumbed to the sorcery of a Bijar that covered the dirt floor of a Kurdish hovel, or a silken Kashan that hung, suspended by silver rings, on the walls of a king’s palace, one is beyond redemption, or the desire of redemption. It is even as though one had become addicted to the smoke of the poppy, or to the grain of hasheesh dissolved in wine. One’s house becomes a place designed for the sheltering and storing of rare rugs; though, of course, the collector himself has no moral scruples about utilizing a bit of that same shelter for himself.

One may wear last year’s overcoat and have last year’s shoes half-soled; but one can always raise the price, however exorbitant, of a threadbare Ladik, a battle-scarred Ghiordes, or a moth-eaten Feraghan.

Thus, though Morgan Revell was exaggerating when he smiled in a way reminiscent of a cat who has just had a pleasant tête-à-tête with a canary, and remarked, “I’d cheerfully have committed murder for that rug,” he was well within the limits of poetic license. Not that he would actually consider going as far as rope, pistol, or poison; in fact, I think he would stop short of breaking and entering. But the fact remains that trifles cannot stand in one’s way when a really rare rug is in sight. And very often a jest is the essence of truth.

Well, and that is that: either you still maintain that a rug is but something to put on the floor, or else you have grasped some conception of the fanaticism that consumes the confirmed collector of antique rugs. If the former, well and good: de gustibus non disputandum est. But if the latter, if you have grasped the idea, then perhaps you will understand why I crave a bit of fresh air and a change of scene whenever I catch a whiff of attar of roses, or a glimpse of a fine, hard-spun silken cord.

I was making one of my customary reconnaissance, prowling tours in search of the perfect rug, the wondrous prize; though what I’d have done with it is a bit beyond me, unless I’d have tacked it to the ceiling. All other space is occupied. Furthermore, I am at times heretical enough to fancy that it is better to know that the rent, due on the morrow, will be in cash available for payment to the landlord instead of being draped over a lounge, or parked on the last bit of vacant wall or floor space.

A chubby, oily little fellow from somewhere in Asia Minor, with features that combined Mephisto with Kewpie, approached and offered his services, assuring me that some rare bargains would be auctioned off that afternoon. I assured him that I was merely prowling about.