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Chapters (70)
  1. Cover
  2. Praise for Two Wrongs
  3. Praise for Mel McGrath
  4. About the Author
  5. Also by Mel McGrath
  6. Note to Readers
  7. Dedication
  8. Prologue
  9. Chapter 1
  10. Chapter 2
  11. Chapter 3
  12. Chapter 4
  13. Chapter 5
  14. Chapter 6
  15. Chapter 7
  16. Chapter 8
  17. Chapter 9
  18. Chapter 10
  19. Chapter 11
  20. Chapter 12
  21. Chapter 13
  22. Chapter 14
  23. Chapter 15
  24. Chapter 16
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Chapter 40
  49. Chapter 41
  50. Chapter 42
  51. Chapter 43
  52. Chapter 44
  53. Chapter 45
  54. Chapter 46
  55. Chapter 47
  56. Chapter 48
  57. Chapter 49
  58. Chapter 50
  59. Chapter 51
  60. Chapter 52
  61. Chapter 53
  62. Chapter 54
  63. Chapter 55
  64. Chapter 56
  65. Chapter 57
  66. Author Note
  67. Acknowledgements
  68. Extract
  69. 1
  70. About the Publisher
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  • Page numbers taken from the following print edition: ISBN 9780008336837

Dedication

To those who continue to listen.

In the UK and Ireland, Samaritans can be contacted on 116 123 or email [email protected] or [email protected]. In the US, the National Suicide Prevention Lifeline is 1-800-273-8255. The Canada Suicide Prevention Service is 1-833-456-4566. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at www.befrienders.org.

Prologue

The lights on the Clifton Suspension Bridge are dazzling in the thin Bristolian rain. The woman walks across it all the time on her way to and from her shift cleaning at the Royal Infirmary and even though it is a notorious suicide spot she has never yet seen anyone fall. But there is a first time for everything and as she spots a young woman clutching the railings of the suicide fence, the thought zips through her mind: this might be the time.

She hears herself call out reflexively – Hey! The young woman clutching the fence looks her way and for an instant hope surges in the woman who has just come off shift until the younger woman, turning back to face the gorge, reaches out and begins to climb the fence. There is a terrible purpose in the way she moves. The woman who has just come off shift knows that whatever she does now could make the difference between life and death, and knowing that, sensing it, makes the hairs on her skin lift and her heart hammer and her legs surge forward.

Still the young woman clambers upwards.

‘Hey!’ The woman who has just come off shift feels her breath quit. She is so tired. It was a long day at work and she cleans the A&E department and there is always so much blood and grease and body fluids and so many cups and snack wrappers to clear up. She is accustomed to seeing bodies and knows what that three-second flight from the bridge through the air and into the water can do to flesh and bones.

The young woman lifts one arm and shouts, ‘Go away!’

The woman who has just come off shift stops in her tracks, three or four metres from the figure making her way up the fence. It is all in this moment. Life, death. She hears her own voice bark back, ‘Please, stop!’ The young woman freezes and shouts down.

‘Stay where you are,’ the young woman screams. ‘I don’t want your help!’