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Chapters (70)
  1. Cover
  2. Praise for Two Wrongs
  3. Praise for Mel McGrath
  4. About the Author
  5. Also by Mel McGrath
  6. Note to Readers
  7. Dedication
  8. Prologue
  9. Chapter 1
  10. Chapter 2
  11. Chapter 3
  12. Chapter 4
  13. Chapter 5
  14. Chapter 6
  15. Chapter 7
  16. Chapter 8
  17. Chapter 9
  18. Chapter 10
  19. Chapter 11
  20. Chapter 12
  21. Chapter 13
  22. Chapter 14
  23. Chapter 15
  24. Chapter 16
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Chapter 40
  49. Chapter 41
  50. Chapter 42
  51. Chapter 43
  52. Chapter 44
  53. Chapter 45
  54. Chapter 46
  55. Chapter 47
  56. Chapter 48
  57. Chapter 49
  58. Chapter 50
  59. Chapter 51
  60. Chapter 52
  61. Chapter 53
  62. Chapter 54
  63. Chapter 55
  64. Chapter 56
  65. Chapter 57
  66. Author Note
  67. Acknowledgements
  68. Extract
  69. 1
  70. About the Publisher

‘OK, OK,’ the tired woman replies, holding up her hands as if in surrender. ‘But talk to me!’ She has no idea what she is going to say but she knows that she must find a way to connect. The tiredness has drained from her. Her mind is razor sharp. If I let this happen, she thinks, what will I tell my kids? How will I live knowing I have let a woman die?

She wonders how the young woman can think of leaving this city that she loves so much, this wonderful, stone city with its dark history, its independent, almost feral people and its brilliant, hopeful bridge? She wonders if the young woman knows that this bridge was first conceived of by a woman with six children who drew up the plans and gave them to a man and refused to take any credit because women ‘shouldn’t be boastful’. Women are always building bridges, linking things, people, moving between worlds not made for them, always thinking up new ways to reach across the darkness, to connect.

She wants to ask the young woman why she is doing this, how can anything be this bad, but she knows enough not to. Instead she shouts out, ‘I’m Sondra, what’s your name?’

The young woman turns her head. ‘Satnam.’

‘We’ve all felt like you’re feeling now, Satnam,’ the tired woman says. ‘I’m older than you, so I know. But the feeling passes. It always passes.’ They are more than strangers to each other now. Each has made her way indelibly into the other’s experience, their history, the story of their lives.

Satnam shakes her head. ‘I can’t, I just can’t.’

Her words are slurred. She’s not in her right mind, Sondra thinks. ‘Please, Satnam, come down from the fence. If we stand here any longer, we’ll both be wet through. I live just the other side of the bridge. We can go and have a cup of tea. I’ve got chocolate chip Hobnobs! We can talk.’

Sondra reaches for her mobile phone to call the emergency services but, guessing at her purpose, Satnam shouts, ‘No, no police!’

‘OK,’ Sondra says. ‘No police. But let me call the Samaritans. You don’t have to speak to them. You can just let me do the talking.’ She’d love to call the Samaritans right now. They would know what to do and the tired woman has absolutely no idea.