Contents (40)
- Contents
- Introduction
- A Note on the Text
- Two Gentlemen of Verona
- The Taming of the Shrew
- Henry VI Part 2
- Henry VI Part 3
- Titus Andronicus
- Henry VI Part 1
- Richard III
- Love’s Labour’s Lost
- A Midsummer Night’s Dream
- Romeo and Juliet
- Richard II
- King John
- Henry IV Part 1
- Henry IV Part 2
- Much Ado About Nothing
- Henry V
- Julius Caesar
- As You Like It
- Hamlet
- Twelfth Night
- Troilus and Cressida
- Sir Thomas More
- Measure for Measure
- Othello
- All’s Well That Ends Well
- Timon of Athens
- King Lear
- Macbeth
- Antony and Cleopatra
- Pericles, Prince of Tyre
- Coriolanus
- The Winter’s Tale
- Cymbeline
- The Tempest
- Henry VIII
- The Two Noble Kinsmen
- Index of First Lines
I’d whistle her off and let her down the wind
To prey at fortune. Haply, for I am black
And have not those soft parts of conversation
That chamberers have; or for I am declined
Into the vale of years – yet that’s not much–
She’s gone: I am abused, and my relief
Must be to loathe her. O, curse of marriage!
That we can call these delicate creatures ours
And not their appetites! I had rather be a toad
And live upon the vapour of a dungeon,
Than keep a corner in the thing I love
For others’ uses. Yet, ’tis the plague of great ones;
Prerogatived are they less than the base.
’Tis destiny unshunnable, like death:
Even then this forked plague is fated to us
When we do quicken:
[V, ii, 1–22] Convinced of his wife’s infidelity by no more compelling cause than his own frantic jealousy, Othello resolves to murder Desdemona:
It is the cause, it is the cause, my soul:
Let me not name it to you, you chaste stars!
It is the cause. Yet I’ll not shed her blood,
Nor scar that whiter skin of hers than snow,
And smooth as monumental alabaster:
Yet she must die, else she’ll betray more men.
Put out the light, and then put out the light:
If I quench thee, thou flaming minister,
I can again thy former light restore,
Should I repent me; but once put out thy light,
Thou cunning’st pattern of excelling nature,
I know not where is that Promethean heat
That can thy light relume. When I have plucked thy rose,
I cannot give it vital growth again,
It must needs wither. I’ll smell it on the tree.
He kisses her
O, balmy breath, that dost almost persuade
Justice to break her sword! One more, one more.
Be thus when thou art dead and I will kill thee,
And love thee after. One more, and this the last.
So sweet was ne’er so fatal. I must weep.
But they are cruel tears; this sorrow’s heavenly–
It strikes where it doth love. She wakes.
All’s Well That Ends Well
[I, i, 78–97] Helena should, she knows, reserve her sorrow for the recent death of her beloved father – but she finds her overpowering love for Bertram displacing such filial feelings:
O, were that all! I think not on my father,
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him; my imagination
Carries no favour in’t but Bertram’s.
I am undone: there is no living, none,
If Bertram be away. ’Twere all one
That I should love a bright particular star
And think to wed it, he is so above me.
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
Th’ ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. ’Twas pretty, though a plague,
To see him every hour; to sit and draw