Contents (40)
- Contents
- Introduction
- A Note on the Text
- Two Gentlemen of Verona
- The Taming of the Shrew
- Henry VI Part 2
- Henry VI Part 3
- Titus Andronicus
- Henry VI Part 1
- Richard III
- Love’s Labour’s Lost
- A Midsummer Night’s Dream
- Romeo and Juliet
- Richard II
- King John
- Henry IV Part 1
- Henry IV Part 2
- Much Ado About Nothing
- Henry V
- Julius Caesar
- As You Like It
- Hamlet
- Twelfth Night
- Troilus and Cressida
- Sir Thomas More
- Measure for Measure
- Othello
- All’s Well That Ends Well
- Timon of Athens
- King Lear
- Macbeth
- Antony and Cleopatra
- Pericles, Prince of Tyre
- Coriolanus
- The Winter’s Tale
- Cymbeline
- The Tempest
- Henry VIII
- The Two Noble Kinsmen
- Index of First Lines
That I desire to hear her speak again,
And feast upon her eyes? What is’t I dream on?
O cunning enemy, that, to catch a saint,
With saints dost bait thy hook. Most dangerous
Is that temptation that doth goad us on
To sin in loving virtue. Never could the strumpet,
With all her double vigour, art and nature,
Once stir my temper; but this virtuous maid
Subdues me quite. Ever till now,
When men were fond, I smiled and wondered how.
[II, iv, 1–17] His unlicensed feelings for Isabella, fears Angelo, make a mockery of his religious faith:
When I would pray and think, I think and pray
To several subjects: heaven hath my empty words,
Whilst my invention, hearing not my tongue,
Anchors on Isabel: God in my mouth,
As if I did but only chew His name,
And in my heart the strong and swelling evil
Of my conception. The state, whereon I studied,
Is like a good thing being often read,
Grown seared and tedious; yea, my gravity,
Wherein, let no man hear me, I take pride,
Could I with boot change for an idle plume
Which the air beats for vain. O place, O form,
How often dost thou with thy case, thy habit,
Wrench awe from fools, and tie the wiser souls
To thy false seeming! Blood, thou art blood;
Let’s write ‘good Angel’ on the devil’s horn;
’Tis not the devil’s crest.
[III, ii, 249–70] Angelo’s superior, the Duke of Vienna, is scathing about his deputy’s corruption – but more about his hypocrisy. He will be repaid in kind for his dishonesty that night, decides the Duke, when his spurned love Mariana comes to his bed in place of Isabella, whom Angelo has ordered to sleep with him in return for her brother’s life:
He who the sword of heaven will bear
Should be as holy as severe;
Pattern in himself to know,
Grace to stand, and virtue go;
More nor less to others paying
Than by self-offences weighing.
Shame to him whose cruel striking
Kills for faults of his own liking.
Twice treble shame on Angelo,
To weed my vice and let his grow.
O, what may man within him hide,
Though angel on the outward side?
How may likeness made in crimes,
Make a practice on the times,
To-draw with idle spiders’ strings
Most ponderous and substantial things!
Craft against vice I must apply.
With Angelo tonight shall lie
His old betrothed but despised:
So disguise shall by th’ disguised
Pay with falsehood false exacting,
And perform an old contracting.
Othello
[III, iii, 255–74] Taken in as much by his own jealousy as by the lying insinuations of his malevolent ensign, lago, the moor Othello is tragically ready to see his beloved Desdemona as his betrayer – no true falcon but an unruly ‘haggard’ hawk:
This fellow’s of exceeding honesty,
And knows all qualities, with a learnèd spirit
Of human dealings. If I do prove her haggard,
Though that her jesses were my dear heart-strings,