Contents ( 40)
- Contents
- Introduction
- A Note on the Text
- Two Gentlemen of Verona
- The Taming of the Shrew
- Henry VI Part 2
- Henry VI Part 3
- Titus Andronicus
- Henry VI Part 1
- Richard III
- Love’s Labour’s Lost
- A Midsummer Night’s Dream
- Romeo and Juliet
- Richard II
- King John
- Henry IV Part 1
- Henry IV Part 2
- Much Ado About Nothing
- Henry V
- Julius Caesar
- As You Like It
- Hamlet
- Twelfth Night
- Troilus and Cressida
- Sir Thomas More
- Measure for Measure
- Othello
- All’s Well That Ends Well
- Timon of Athens
- King Lear
- Macbeth
- Antony and Cleopatra
- Pericles, Prince of Tyre
- Coriolanus
- The Winter’s Tale
- Cymbeline
- The Tempest
- Henry VIII
- The Two Noble Kinsmen
- Index of First Lines
But his own wringing! What infinite heart’s ease
Must kings neglect that private men enjoy!
And what have kings that privates have not too,
Save ceremony, save general ceremony?
And what art thou, thou idol ceremony?
What kind of god art thou, that suffer’st more
Of mortal griefs than do thy worshippers?
What are thy rents? What are thy comings-in?
O ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree, and form,
Creating awe and fear in other men?
Wherein thou art less happy, being feared,
Than they in fearing.
What drink’st thou oft, instead of homage sweet,
But poisoned flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Thinks thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command’st the beggar’s knee,
Command the health of it? No, thou proud dream,
That play’st so subtly with a king’s repose.
I am a king that find thee, and I know
’Tis not the balm, the sceptre, and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farcèd tide running fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world –
No, not all these, thrice-gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave
Who, with a body filled and vacant mind,
Gets him to rest, crammed with distressful bread;
Never sees horrid night, the child of hell,
But, like a lackey, from the rise to set
Sweats in the eye of Phoebus, and all night
Sleeps in Elysium; next day after dawn,
Doth rise and help Hyperion to his horse;
And follows so the ever-running year
With profitable labour to his grave.
And but for ceremony, such a wretch,
Winding up days with toil, and nights with sleep,
Had the fore-hand and vantage of a king.
The slave, a member of the country’s peace,
Enjoys it, but in gross brain little wots
What watch the king keeps to maintain the peace
Whose hours the peasant best advantages.
[IV, i, 282–98] This will not be a day for careful reckoning, hopes Harry, on the eve of the Battle of Agincourt. If his own men weigh the odds against them accurately they will run for their lives, while if God weighs his father’s crimes truly He will strike him from his throne:
O God of battles, steel my soldiers’ hearts;
Possess them not with fear; take from them now
The sense of reckoning, if th’ opposed numbers
Pluck their hearts from them. Not today, O Lord,
O, not today, think not upon the fault
My father made in compassing the crown!
I Richard’s body have interrèd new,
And on it have bestowed more contrite tears
Than from it issued forced drops of blood.
Five hundred poor I have in yearly pay,