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Chapters (110)
  1. Cover
  2. ALSO BY J. TODD SCOTT
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. I
  7. II
  8. PART ONE
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. ELEVEN
  20. TWELVE
  21. PART TWO
  22. THIRTEEN
  23. FOURTEEN
  24. FIFTEEN
  25. SIXTEEN
  26. SEVENTEEN
  27. EIGHTEEN
  28. NINETEEN
  29. TWENTY
  30. TWENTY-ONE
  31. TWENTY-TWO
  32. TWENTY-THREE
  33. TWENTY-FOUR
  34. TWENTY-FIVE
  35. TWENTY-SIX
  36. TWENTY-SEVEN
  37. TWENTY-EIGHT
  38. TWENTY-NINE
  39. THIRTY
  40. THIRTY-ONE
  41. THIRTY-TWO
  42. THIRTY-THREE
  43. THIRTY-FOUR
  44. THIRTY-FIVE
  45. THIRTY-SIX
  46. THIRTY-SEVEN
  47. THIRTY-EIGHT
  48. THIRTY-NINE
  49. PART THREE
  50. FORTY
  51. FORTY-ONE
  52. FORTY-TWO
  53. FORTY-THREE
  54. FORTY-FOUR
  55. FORTY-FIVE
  56. FORTY-SIX
  57. FORTY-SEVEN
  58. FORTY-EIGHT
  59. FORTY-NINE
  60. FIFTY
  61. FIFTY-ONE
  62. FIFTY-TWO
  63. FIFTY-THREE
  64. FIFTY-FOUR
  65. FIFTY-FIVE
  66. FIFTY-SIX
  67. FIFTY-SEVEN
  68. FIFTY-EIGHT
  69. FIFTY-NINE
  70. SIXTY
  71. SIXTY-ONE
  72. PART FOUR
  73. SIXTY-TWO
  74. SIXTY-THREE
  75. SIXTY-FOUR
  76. SIXTY-FIVE
  77. SIXTY-SIX
  78. SIXTY-SEVEN
  79. SIXTY-EIGHT
  80. SIXTY-NINE
  81. SEVENTY
  82. SEVENTY-ONE
  83. SEVENTY-TWO
  84. SEVENTY-THREE
  85. SEVENTY-FOUR
  86. SEVENTY-FIVE
  87. SEVENTY-SIX
  88. SEVENTY-SEVEN
  89. SEVENTY-EIGHT
  90. SEVENTY-NINE
  91. EIGHTY
  92. EIGHTY-ONE
  93. EIGHTY-TWO
  94. EIGHTY-THREE
  95. EIGHTY-FOUR
  96. EPILOGUE
  97. I
  98. II
  99. III
  100. IV
  101. V
  102. VI
  103. VII
  104. AUTHOR’S NOTE
  105. ACKNOWLEDGMENTS
  106. Excerpt from LOST RIVER
  107. LITTLE PARIS
  108. DILLON
  109. ABOUT THE AUTHOR
  110. What’s next onyour reading list?

He was in strange, dark clothes that reminded Neva of the men who had attacked the buses in Ojinaga, and she thought at first—with the fear rising in her, threatening to wash over her completely—that he had followed them all the way to this place from that night.

He was leaning against a fancy coche americano, as dark as the night in front of them. The ground and bushes all around it were torn up, and she could just make out more tire marks in the dust. There had been another coche here, but that one was gone. When she and Chayo had walked up, the hombre had been trying to get his keys into the lock, but now that they were there, he smiled and slapped a bloody hand against the door he’d been trying to open.

“Well, goddamn, you two scared the ever-livin’ shit out of me. You kids look about the way I feel.” He shifted against the coche, which was holding him up about as much as he was leaning against it, so Neva could see the pistola at his waist. He took it out and held it up higher, to make sure she understood.

There was always another pistola.

The hombre switched to Spanish and his Spanish was good. “I’m going to need you and your boyfriend there to drive me the hell out of here. I don’t care what you’re doing here, or where you’re going, and I’ve got plenty of money. You can even have the damn car when we’re done. I just don’t think I can drive. I’m bleeding pretty goddamn good.” He shook both the keys and the pistola at her, reminding her of that old saying she’d learned growing up—that common refrain in the narcocorridos and the telenovelas she loved: Plata o plomo.

Silver or lead.

That was the offer every narco made.

The hombre shook the keys again to keep her attention. “Like I said, I got money and I’ll pay, but I’m not fucking asking.” He raised the pistola in his other hand, and something else, a piece of metal on a chain around his neck. It was a medalla. “I am a police officer, get it? One of the good guys. Now get your asses over here, now. That’s an order, or I’ll arrest both of you. I have to catch that fucker Roman . . .”

Neva did not know who the hombre was talking about, and most of what he was saying meant nothing to her. He was policía, and he was hurt and desperate.

But so was she.

She started to cry, not because she was afraid anymore, but because she was angry.

Angry at the hombre, at the noche. At the mundo that would not leave them alone, or let them go.

He was a policía like those who had hurt her, who’d killed Batista.