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Chapters (110)
  1. Cover
  2. ALSO BY J. TODD SCOTT
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. I
  7. II
  8. PART ONE
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. ELEVEN
  20. TWELVE
  21. PART TWO
  22. THIRTEEN
  23. FOURTEEN
  24. FIFTEEN
  25. SIXTEEN
  26. SEVENTEEN
  27. EIGHTEEN
  28. NINETEEN
  29. TWENTY
  30. TWENTY-ONE
  31. TWENTY-TWO
  32. TWENTY-THREE
  33. TWENTY-FOUR
  34. TWENTY-FIVE
  35. TWENTY-SIX
  36. TWENTY-SEVEN
  37. TWENTY-EIGHT
  38. TWENTY-NINE
  39. THIRTY
  40. THIRTY-ONE
  41. THIRTY-TWO
  42. THIRTY-THREE
  43. THIRTY-FOUR
  44. THIRTY-FIVE
  45. THIRTY-SIX
  46. THIRTY-SEVEN
  47. THIRTY-EIGHT
  48. THIRTY-NINE
  49. PART THREE
  50. FORTY
  51. FORTY-ONE
  52. FORTY-TWO
  53. FORTY-THREE
  54. FORTY-FOUR
  55. FORTY-FIVE
  56. FORTY-SIX
  57. FORTY-SEVEN
  58. FORTY-EIGHT
  59. FORTY-NINE
  60. FIFTY
  61. FIFTY-ONE
  62. FIFTY-TWO
  63. FIFTY-THREE
  64. FIFTY-FOUR
  65. FIFTY-FIVE
  66. FIFTY-SIX
  67. FIFTY-SEVEN
  68. FIFTY-EIGHT
  69. FIFTY-NINE
  70. SIXTY
  71. SIXTY-ONE
  72. PART FOUR
  73. SIXTY-TWO
  74. SIXTY-THREE
  75. SIXTY-FOUR
  76. SIXTY-FIVE
  77. SIXTY-SIX
  78. SIXTY-SEVEN
  79. SIXTY-EIGHT
  80. SIXTY-NINE
  81. SEVENTY
  82. SEVENTY-ONE
  83. SEVENTY-TWO
  84. SEVENTY-THREE
  85. SEVENTY-FOUR
  86. SEVENTY-FIVE
  87. SEVENTY-SIX
  88. SEVENTY-SEVEN
  89. SEVENTY-EIGHT
  90. SEVENTY-NINE
  91. EIGHTY
  92. EIGHTY-ONE
  93. EIGHTY-TWO
  94. EIGHTY-THREE
  95. EIGHTY-FOUR
  96. EPILOGUE
  97. I
  98. II
  99. III
  100. IV
  101. V
  102. VI
  103. VII
  104. AUTHOR’S NOTE
  105. ACKNOWLEDGMENTS
  106. Excerpt from LOST RIVER
  107. LITTLE PARIS
  108. DILLON
  109. ABOUT THE AUTHOR
  110. What’s next onyour reading list?

“Marco stays, Danny. At least out there on the road, he’ll be clear of whatever happens here. But I can’t ask you to do this.”

“And you can’t order me not to, not now. I’ve trained for this. I know this.”

“That’s what I’m afraid of.” That’s why you really accompanied Amé out here yesterday. You wanted to size up our situation, make a plan. Chris motioned at the rifle he didn’t recognize. “Do I want to know where you got that?”

“No, probably not. I’m sorry, I wouldn’t tell you anyway.”

Chris stared out the kitchen windows, past the scrub, into the sunlight, where he’d been walking a few moments before. Last night he’d stared into the darkness out there and asked Amé if Fox Uno had changed them, and now, facing Danny in his BDUs, facing the decisions he’d made and what they were all about to do, he had his answer. “Okay, we do it your way,” he said.

Danny pointed at a bag at his feet. “I also brought our handheld radios and earpieces back from the department, and plenty of extra batteries. The range isn’t worth shit, so I didn’t even bother giving one to Marco, but up here at the house, we can use them.” Danny lifted the bag. “I’m going to go get set up, then we’ll test them. You may not have told these men where we are, but they’re going to figure it out soon enough.”

Chris looked through the windows again. “I figure they’re on their way now.”

Danny shrugged. “They’re probably already here. Somewhere close, watching, waiting.”

“¿Por qué?” Amé asked, the only thing she’d said during the whole conversation.

“They’re getting ready. Just like we are,” Danny said. And before Chris could say anything, one of Fox Uno’s phones started to ring.

FIFTY-NINE

Fox Uno did not know how many people he had killed with his own hands, or had ordered killed by the hands of others.

The ways he had conducted these killings were as numerous as the victims themselves: burnings and shootings and beheadings. He had once planned to take down a commercial plane with a suspected informant, like the ’89 Avianca bombing in Colombia, but the man he had hired to prepare the explosives blew himself up in a motel in Sabinas, killing four others, including two small children sleeping in the room next door.

Fox Uno had paid the families, trying to make things right. He had always tried to make things right . . . after.