Back This Side of Night Save as PDF
Chapters (110)
  1. Cover
  2. ALSO BY J. TODD SCOTT
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. I
  7. II
  8. PART ONE
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. ELEVEN
  20. TWELVE
  21. PART TWO
  22. THIRTEEN
  23. FOURTEEN
  24. FIFTEEN
  25. SIXTEEN
  26. SEVENTEEN
  27. EIGHTEEN
  28. NINETEEN
  29. TWENTY
  30. TWENTY-ONE
  31. TWENTY-TWO
  32. TWENTY-THREE
  33. TWENTY-FOUR
  34. TWENTY-FIVE
  35. TWENTY-SIX
  36. TWENTY-SEVEN
  37. TWENTY-EIGHT
  38. TWENTY-NINE
  39. THIRTY
  40. THIRTY-ONE
  41. THIRTY-TWO
  42. THIRTY-THREE
  43. THIRTY-FOUR
  44. THIRTY-FIVE
  45. THIRTY-SIX
  46. THIRTY-SEVEN
  47. THIRTY-EIGHT
  48. THIRTY-NINE
  49. PART THREE
  50. FORTY
  51. FORTY-ONE
  52. FORTY-TWO
  53. FORTY-THREE
  54. FORTY-FOUR
  55. FORTY-FIVE
  56. FORTY-SIX
  57. FORTY-SEVEN
  58. FORTY-EIGHT
  59. FORTY-NINE
  60. FIFTY
  61. FIFTY-ONE
  62. FIFTY-TWO
  63. FIFTY-THREE
  64. FIFTY-FOUR
  65. FIFTY-FIVE
  66. FIFTY-SIX
  67. FIFTY-SEVEN
  68. FIFTY-EIGHT
  69. FIFTY-NINE
  70. SIXTY
  71. SIXTY-ONE
  72. PART FOUR
  73. SIXTY-TWO
  74. SIXTY-THREE
  75. SIXTY-FOUR
  76. SIXTY-FIVE
  77. SIXTY-SIX
  78. SIXTY-SEVEN
  79. SIXTY-EIGHT
  80. SIXTY-NINE
  81. SEVENTY
  82. SEVENTY-ONE
  83. SEVENTY-TWO
  84. SEVENTY-THREE
  85. SEVENTY-FOUR
  86. SEVENTY-FIVE
  87. SEVENTY-SIX
  88. SEVENTY-SEVEN
  89. SEVENTY-EIGHT
  90. SEVENTY-NINE
  91. EIGHTY
  92. EIGHTY-ONE
  93. EIGHTY-TWO
  94. EIGHTY-THREE
  95. EIGHTY-FOUR
  96. EPILOGUE
  97. I
  98. II
  99. III
  100. IV
  101. V
  102. VI
  103. VII
  104. AUTHOR’S NOTE
  105. ACKNOWLEDGMENTS
  106. Excerpt from LOST RIVER
  107. LITTLE PARIS
  108. DILLON
  109. ABOUT THE AUTHOR
  110. What’s next onyour reading list?

Xavier started walking forward again, talking fast, blocking Chris’s clear sight of the woman standing beside the Aerostar, who was on the side opposite Danny, so he wouldn’t have a good look at her, either. The setting sun and the coiled shadows didn’t help, so the only one who could see her was Amé, who’d appeared on the porch with Chris’s Remington centered on the van’s windshield, and her own AR-15 slung over her shoulder.

But she was the farthest away, calling out “Mama?” over and over again, across the scrub.

Xavier was still talking to Fox Uno, talking about this Martino, someone who clearly was not in the van, as Danny started talking rapidly—urgently—to Chris, too, his voice suddenly way too loud over the radio in Chris’s ear. Danny was saying something Chris couldn’t make out, his attention split between Fox Uno and Xavier with his satchel and America at his back.

And the woman with the gray hair—the only one not talking, not saying anything—standing silently on the darkened side of the Aerostar.

Silently . . . not responding to her daughter.

I know that van.

They were all now about fifteen feet apart.

Amé’s mother still not saying a word . . .

. . . because Chris could now see the duct tape across her mouth, her eyes crazy with fear.

I know that van.

But before Chris could react, Amé called out, “Sheriff, no,” and then Fox Uno turned to him and very clearly, quietly, said, “Corre. Ahora.” Run. Now.

Chris grabbed at him hard, pulling him backward fast. Stumbling, trying to retreat. He was yelling at Amé, too. “Get the hell back to the house!”

And in that space where Fox Uno had been only a heartbeat before, something passed through the air. Chris felt it, imagined he saw it, before he heard the shot itself.

One shot. Two. Maybe a third.

Maybe more.

They echoed over the scrub with voices all their own.

He had no idea where that first shot had come from, but one more step—one more moment—the old man would have taken it in the face.

It was pure luck Chris had grabbed him when he did.

Chris had been shot at before. He’d even been ambushed right here in the Far Six, somehow surviving only because of another moment of that rare, impossible luck, so he knew what was coming for them next: a breathless chaos, time both speeding up and slowing down, the whole world and everything in it reduced to mere heartbeats.

Absolute, heart-stopping terror after that.

He also knew there was no way he had any more lucky moments saved up. He’d used his last one, maybe the last one for any of them, on Fox Uno.

Amé was still calling out to him:

“That’s not my mama!”

Now his young deputy was running forward, not backward, raising the Remington, yelling something about La Tienda.