Back The Yellow Bird Sings Save as PDF
Chapters (60)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Part 1
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Part 2
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Part 3
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Part 4
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Note About Polish Surnames
  56. Translations
  57. Acknowledgments
  58. Author’s Note
  59. About the Author
  60. Newsletter Sign-up

That evening, Shira waits for darkness, for her mother to tell their nightly story about the little girl in the silent flower garden. But her mother tells a different story: a story of how the little girl goes to a new garden where she can make noise, can laugh and shout, can fill up the space with her whole self rather than live scrunched like a flower in a too-small pot.

Shira scooches out of her mother’s grasp. Amid the fake bright notes in her mother’s voice she hears an underlying chord: heartbreak.

She stares hard at her mother, whose forced smile does not match her anguished eyes. Something is wrong. Shira wishes for the little girl in the story to compose perfect harmonies that the bird will sing—

“I need you to go to a safer place, Shira; just for a while,” her mother says.

“No! Please! I won’t make noise, not ever again. I’m sorry, Mamusia.”

Her mother reaches for her hand but squeezes it too tight. Shira swallows back tears and pulls her hand away, covering herself over with hay.

Why did I ever have to chirp like that? Shira promises herself to be silent and still, to do what her mother wants of her: to disappear.

She lies unmoving, like a stone. Music storms inside her in movements dark and gloomy, but she shows no outward signs: no tapping fingers, no bobbing feet. She doesn’t scratch her itches. She holds back every sneeze. She doesn’t even whisper to her little bird, who is viciously pecking at his left foot, trying to make himself like the other, outside birds.

Eventually she pleads, using her quietest voice, “Tell our story, Mama. Does the bird bring seeds from the poppy fields?”

Her mama’s face looks sunken and tired; new lines etch her forehead. She seems not to have heard Shira’s question. When she finally speaks, she tells the story of how, with the daisies from their garden, the little girl and her mother weave a magical flower chain that can expand to any length, connecting them.

“However far apart they wander, they can always feel each other if they tug on the chain.”

“But they are always together!”

Tears spring to Shira’s eyes. She continues the protest in her mind: The mama and her little girl could never really be connected by a chain of daisies! It would break apart; it would tangle and they would trip. She should know this—the mama and her girl have to stay together! But Shira does not dare protest aloud. Not when quiet might fix things.

Her mother doesn’t continue with the story, and Shira doesn’t ask her to. Silently, Shira shapes bits of hay into new nests. Her bird hops past these and nestles low in the cup of her hands.

Eventually Shira settles into the hay to sleep, but her mother is fidgety. Her breath sounds heavy and ragged.