Back The Torrents of Spring Save as PDF
Contents ( 148)
  1. THE TORRENTS OF SPRING
  2. * * *
  3. IVAN TURGENEV
  4. CONSTANCE GARNETT
  5. *
  6. Contents
  7. *
  8. The Torrents of Spring
  9. *
  10. I
  11. *
  12. II
  13. *
  14. III
  15. *
  16. IV
  17. *
  18. V
  19. *
  20. VI
  21. *
  22. VII
  23. *
  24. VIII
  25. *
  26. IX
  27. *
  28. X
  29. *
  30. XI
  31. *
  32. XII
  33. *
  34. XIII
  35. *
  36. XIV
  37. *
  38. XV
  39. *
  40. XVI
  41. *
  42. XVII
  43. *
  44. XVIII
  45. *
  46. XIX
  47. *
  48. XX
  49. *
  50. XXI
  51. *
  52. XXII
  53. *
  54. XXIII
  55. *
  56. XXIV
  57. *
  58. XXV
  59. *
  60. XXVI
  61. *
  62. XXVII
  63. *
  64. XXVIII
  65. *
  66. XXIX
  67. *
  68. XXX
  69. *
  70. XXXI
  71. *
  72. XXXII
  73. *
  74. XXXIII
  75. *
  76. XXXIV
  77. *
  78. XXXV
  79. *
  80. XXXVI
  81. *
  82. XXXVII
  83. *
  84. XXXVIII
  85. *
  86. XXXIX
  87. *
  88. XL
  89. *
  90. XLI
  91. *
  92. XLII
  93. *
  94. XLIII
  95. *
  96. XLIV
  97. *
  98. First Love
  99. *
  100. I
  101. *
  102. II
  103. *
  104. III
  105. *
  106. IV
  107. *
  108. V
  109. *
  110. VI
  111. *
  112. VII
  113. *
  114. VIII
  115. *
  116. IX
  117. *
  118. X
  119. *
  120. XI
  121. *
  122. XII
  123. *
  124. XIII
  125. *
  126. XIV
  127. *
  128. XV
  129. *
  130. XVI
  131. *
  132. XVII
  133. *
  134. XVIII
  135. *
  136. XIX
  137. *
  138. XX
  139. *
  140. XXI
  141. *
  142. XXII
  143. *
  144. Mumu
  145. *
  146. * * *
  147. Endnotes
  148. *

In the drawing-room the old princess met me with her usual slovenly and careless greetings.

'How's this, my good man, your folks are off in such a hurry?' she observed, thrusting snuff into her nose. I looked at her, and a load was taken off my heart. The word 'loan,' dropped by Philip, had been torturing me. She had no suspicion ... at least I thought so then. Zinaïda came in from the next room, pale, and dressed in black, with her hair hanging loose; she took me by the hand without a word, and drew me away with her.

'I heard your voice,' she began, 'and came out at once. Is it so easy for you to leave us, bad boy?'

'I have come to say good-bye to you, princess,' I answered, 'probably for ever. You have heard, perhaps, we are going away.'

Zinaïda looked intently at me.

'Yes, I have heard. Thanks for coming. I was beginning to think I should not see you again. Don't remember evil against me. I have sometimes tormented you, but all the same I am not what you imagine me.' She turned away, and leaned against the window.

'Really, I am not like that. I know you have a bad opinion of me.'

'I?'

'Yes, you ... you.'

'I?' I repeated mournfully, and my heart throbbed as of old under the influence of her overpowering, indescribable fascination. 'I? Believe me, Zinaïda Alexandrovna, whatever you did, however you tormented me, I should love and adore you to the end of my days.'

She turned with a rapid motion to me, and flinging wide her arms, embraced my head, and gave me a warm and passionate kiss. God knows whom that long farewell kiss was seeking, but I eagerly tasted its sweetness. I knew that it would never be repeated. 'Good-bye, good-bye,' I kept saying ...

She tore herself away, and went out. And I went away. I cannot describe the emotion with which I went away. I should not wish it ever to come again; but I should think myself unfortunate had I never experienced such an emotion.

We went back to town. I did not quickly shake off the past; I did not quickly get to work. My wound slowly began to heal; but I had no ill-feeling against my father. On the contrary he had, as it were, gained in my eyes ... let psychologists explain the contradiction as best they can. One day I was walking along a boulevard, and to my indescribable delight, I came across Lushin. I liked him for his straightforward and unaffected character, and besides he was dear to me for the sake of the memories he aroused in me. I rushed up to him. 'Aha!' he said, knitting his brows,' so it's you, young man. Let me have a look at you. You're still as yellow as ever, but yet there's not the same nonsense in your eyes. You look like a man, not a lap-dog. That's good. Well, what are you doing? working?'