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Contents ( 148)
  1. THE TORRENTS OF SPRING
  2. * * *
  3. IVAN TURGENEV
  4. CONSTANCE GARNETT
  5. *
  6. Contents
  7. *
  8. The Torrents of Spring
  9. *
  10. I
  11. *
  12. II
  13. *
  14. III
  15. *
  16. IV
  17. *
  18. V
  19. *
  20. VI
  21. *
  22. VII
  23. *
  24. VIII
  25. *
  26. IX
  27. *
  28. X
  29. *
  30. XI
  31. *
  32. XII
  33. *
  34. XIII
  35. *
  36. XIV
  37. *
  38. XV
  39. *
  40. XVI
  41. *
  42. XVII
  43. *
  44. XVIII
  45. *
  46. XIX
  47. *
  48. XX
  49. *
  50. XXI
  51. *
  52. XXII
  53. *
  54. XXIII
  55. *
  56. XXIV
  57. *
  58. XXV
  59. *
  60. XXVI
  61. *
  62. XXVII
  63. *
  64. XXVIII
  65. *
  66. XXIX
  67. *
  68. XXX
  69. *
  70. XXXI
  71. *
  72. XXXII
  73. *
  74. XXXIII
  75. *
  76. XXXIV
  77. *
  78. XXXV
  79. *
  80. XXXVI
  81. *
  82. XXXVII
  83. *
  84. XXXVIII
  85. *
  86. XXXIX
  87. *
  88. XL
  89. *
  90. XLI
  91. *
  92. XLII
  93. *
  94. XLIII
  95. *
  96. XLIV
  97. *
  98. First Love
  99. *
  100. I
  101. *
  102. II
  103. *
  104. III
  105. *
  106. IV
  107. *
  108. V
  109. *
  110. VI
  111. *
  112. VII
  113. *
  114. VIII
  115. *
  116. IX
  117. *
  118. X
  119. *
  120. XI
  121. *
  122. XII
  123. *
  124. XIII
  125. *
  126. XIV
  127. *
  128. XV
  129. *
  130. XVI
  131. *
  132. XVII
  133. *
  134. XVIII
  135. *
  136. XIX
  137. *
  138. XX
  139. *
  140. XXI
  141. *
  142. XXII
  143. *
  144. Mumu
  145. *
  146. * * *
  147. Endnotes
  148. *

'Don't speak of it ... aloud.'

'But what have you been crying for?'

'Ah, M'sieu Sanin, I don't know myself what for!'

'No one has hurt your feelings?'

'Oh no!... I felt very low all of a sudden. I thought of Giovanni Battista ... of my youth ... Then how quickly it had all passed away. I have grown old, my friend, and I can't reconcile myself to that anyhow. I feel I'm just the same as I was ... but old age—it's here! it is here!' Tears came into Frau Lenore's eyes. 'You look at me, I see, and wonder.... But you will get old too, my friend, and will find out how bitter it is!'

Sanin tried to comfort her, spoke of her children, in whom her own youth lived again, even attempted to scoff at her a little, declaring that she was fishing for compliments ... but she quite seriously begged him to leave off, and for the first time he realised that for such a sorrow, the despondency of old age, there is no comfort or cure; one has to wait till it passes off of itself. He proposed a game of tresette, and he could have thought of nothing better. She agreed at once and seemed to get more cheerful.

Sanin played with her until dinner-time and after dinner Pantaleone too took a hand in the game. Never had his topknot hung so low over his forehead, never had his chin retreated so far into his cravat! Every movement was accompanied by such intense solemnity that as one looked at him the thought involuntarily arose, 'What secret is that man guarding with such determination?' But segredezza! segredezza!

During the whole of that day he tried in every possible way to show the profoundest respect for Sanin; at table, passing by the ladies, he solemnly and sedately handed the dishes first to him; when they were at cards he intentionally gave him the game; he announced, apropos of nothing at all, that the Russians were the most great-hearted, brave, and resolute people in the world!

'Ah, you old flatterer!' Sanin thought to himself.

And he was not so much surprised at Signora Roselli's unexpected state of mind, as at the way her daughter behaved to him. It was not that she avoided him ... on the contrary she sat continually a little distance from him, listened to what he said, and looked at him; but she absolutely declined to get into conversation with him, and directly he began talking to her, she softly rose from her place, and went out for some instants. Then she came in again, and again seated herself in some corner, and sat without stirring, seeming meditative and perplexed ... perplexed above all. Frau Lenore herself noticed at last, that she was not as usual, and asked her twice what was the matter.

'Nothing,' answered Gemma; 'you know I am sometimes like this.'

'That is true,' her mother assented.

So passed all that long day, neither gaily nor drearily—neither cheerfully nor sadly. Had Gemma been different—Sanin ... who knows?... might not perhaps have been able to resist the temptation for a little display—or he might simply have succumbed to melancholy at the possibility of a separation for ever.... But as he did not once succeed in getting a word with Gemma, he was obliged to confine himself to striking minor chords on the piano for a quarter of an hour before evening coffee.