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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘Are you looking outside of New South Wales? If Mandy moved to Victoria—’

‘I suggest you leave the police work to me, Miss Green.’

‘But if she moved away—’

‘It seems she did not.’ He glares at her, rattled. ‘Steve Mallory claims his wife didn’t go with him when he sold the house and moved away.’

‘So you did question him.’

He moves to push past her. In the corner of her eye, Isla sees her mother shake her head.

‘Do you think Mandy’s alive?’

He shuts his eyes. ‘I hope so.’

‘But you think it’s unlikely?’

‘I think thirty years is a long time to live with no record at all.’

Isla waits in the hall while her mum shows the Inspector out, shuts the door behind him and stays there, watching through the peephole. They hear the chink of the gate.

‘Did you have to do that?’ Louisa turns her back to the door. ‘Did you have to cross-examine him?’

‘Someone had to fight Dad’s corner.’ Isla shuts the kitchen door behind her, darkening the hallway. She steps closer to her mother, pausing at the door of her parents’ bedroom, where the laundry basket is disturbed and the drawers stand open. ‘Sorry to spoil your plan.’

‘I don’t have a plan,’ Louisa says.

‘Oh, really? It looked to me like you were planning to land Dad in jail.’

‘I thought it might be important. The watch. After I showed it to you I started thinking—’

‘What?’ She is just about keeping her voice steady. ‘What did you think?’

‘I’d have been withholding evidence,’ she says.

‘We could have got rid of it.’

‘I thought they should know.’

‘You thought it might make Dad look like he was obsessed with her,’ Isla says. ‘Like he killed her and kept a memento.’

‘It does look like that, doesn’t it?’

‘Not to me.’ She feels a swell of rage and she is glad of it, its familiar heat. ‘I think you’re deflecting attention from yourself.’

She laughs. ‘Don’t be absurd, Isla.’

‘I don’t think it’s absurd. Mandy betrayed you. I think you’re sucking up to the cops so they don’t look too closely at you.’

‘I would never—’

‘I think you would,’ Isla says.

The house is still and quiet. Isla hears her mum breathing; her own breath and her blood in her ears.

‘I haven’t told you much about Mandy, have I?’

‘No,’ Isla says. ‘Maybe you should.’

Louisa meets her at the bedroom door. She eyes Isla apprehensively. ‘Mandy saved me when you were a baby,’ she says. ‘She was the only person who understood I wasn’t coping. I didn’t have to tell her, she took one look at me and she knew. She helped me with you. When you wouldn’t settle she picked you up and calmed you down. She took you out in the pram so I could have a break. She stopped me going under.’

Isla finds she is mirroring her mother, her stance and the tilt of her head. She stands up straighter. ‘Go on.’