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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

He kissed her and turned for the door. She didn’t watch him go.

25

Sydney, 1997

Isla is lost in thought when the police car passes her on her way back from town. She looks right at it, watches it make its way up Bay Street, but she doesn’t see it. She looks into the gardens of her neighbours and sees Douglas Blunt crouched on his lawn, dead-heading his roses. He has a concentrated look which tells her he has seen her and is not planning to say hello. She pauses beside his gate.

‘Mr Blunt.’ She coughs. ‘I wanted to apologise.’

He takes a moment to shift his gaze in her direction. His face is blank.

‘I shouldn’t have spoken to you that way. At the party. I was out of line.’

‘You were.’

‘I’m sorry.’

He points his secateurs at her parents’ place, where the police car has stopped. ‘Looks like you got company.’

A uniformed policeman gets out of the car and slams the door. Isla watches him open the gate and climb the steps to the verandah. She tries not to run. Her dad is out, he won’t be home for hours. If they wanted to arrest him they would have come later in the day. They know where he works. The door shuts behind the cop and she stops, holds onto a fence post in a spike of fear. The watch. She tries to think. Behind her, Doug snips at his roses.

She lets herself into the house and stands in the hallway. The door to the kitchen stands open and the house is bright, flooded with sunlight. She hears the cop talking to her mum.

‘I came as soon as I could,’ he says. ‘If it’s not a good time, I could come back later.’

‘No,’ Louisa says. ‘Don’t do that.’

There is a pause, a scraping of chairs. The kettle starts to boil. Isla steps quietly into her parents’ bedroom. She opens the drawer where she saw her mum hide the watch and reaches around inside. It’s not there. She checks twice, lifting out the quarter bottle of vodka and the balled up pairs of socks. It’s gone. Sweat runs under her arms. She tries the other drawers, quickly, shaking out T-shirts and shorts, checking the pockets. She checks the laundry basket, the base of the wardrobe, under the mattress. Nothing.

From the kitchen, her mum’s voice reaches her: nervy, polite small talk. Isla creeps from the room. The cop’s boots are visible from the hallway, and the edge of his jacket, hanging from the back of his chair.

‘You mentioned an item when you called,’ the cop says. ‘Something that might help our enquiries.’

‘That’s right,’ Louisa replies.

Isla stops where she is. Shock passes through her: a band of heat that moves along her limbs.

‘We appreciate your help, Mrs Green. It all helps to build up a picture.’

‘Of course,’ Louisa says.

‘Perhaps you could repeat what you told me on the phone. And you could show me the item you mentioned.’