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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘You’d have been right.’

She thumps the couch. ‘Don’t do this, Scott.’

‘I’m not doing anything.’

‘You think he’s capable of—’ She can’t say it. ‘Don’t you?’

‘I think you should come back with me and Ruby, is what I think.’

‘I can’t do that.’

‘I don’t want you here, with him.’

‘He needs me.’

‘And what if it turns into a murder case? What then?’

‘Then he’ll need me even more.’

He groans at her. They are back in their trenches: Scott firing shots at their dad, Isla taking the bullets for him. It’s been this way since she can remember. She has always known, without it ever being spoken, that her father had no one if he didn’t have her.

‘He doesn’t deserve your loyalty,’ Scott says.

‘Yes, he does.’

‘You’re being naive.’

‘I don’t think so.’

‘Wake up, Isla.’

She looks past him. In this light, the patch of plaster on the wall next to the dresser stands out, although it’s been painted over. She can see the brushstrokes.

‘Thanks for the offer,’ she says.

There are voices in the kitchen, too quiet to make out. Isla listens as they move into the hallway. A child’s voice, footsteps running ahead. Ben and Andrea, she thinks, with the little cowboy. Ben is still talking, saying something about databases, computer searches.

‘She’d be on the electoral roll if she was alive,’ Ben says. ‘The police have access to all that data.’

They let themselves out onto the street, shutting the door behind them. The sun drops behind the houses opposite and the room falls into darkness. Scott stands and pulls her to her feet. Her head meets his shoulder and he rocks her side to side a few times, gripping her tight against him. It throws her. She returns the hug hesitantly, scared she might sob into his polo shirt.

‘Call me,’ he says, ‘if you don’t feel safe. I can be here in half an hour.’

12

Sydney, 1967

Joe put his keys down on the kitchen table, which was exactly as he’d left it that morning. The ashtray was full. The toast he hadn’t eaten was still on the plate. The note Louisa had left – if you could call it that – was folded, face down, under a dirty coffee cup.

He sat, pushed the toast away. Tried to think straight. She’d been gone around twenty-four hours, he figured; she couldn’t have gone far. He’d checked her wardrobe; she’d barely taken anything. Isla’s Digby bear was still in her room, and so were most of her clothes. She must have gone to stay with some friend he didn’t know about, someone from work who could put her up for a bit. She was sulking; waiting long enough to scare him. He wasn’t going to play her games. But he had to admit, he was getting worried. The thing he hadn’t done, that he would have to do now, was call Hordern & Sons to see if she’d gone in to work. And if she wasn’t there, if they didn’t know where she was, he’d have to call the police. A sweat crept up his back at the thought of it.