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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘It’s been a relief to Mrs Mallory’s family. Her brothers. They’ve accepted that she chooses not to be found.’ He spreads his hands out across the desk. ‘I’m sure your mother will find it a comfort. I heard the police enquiry had become distressing for her.’

‘How did you know about that?’

‘Mr Mallory contacted the station, like I said. He mentioned your visit to his place of work. He was sorry to learn of your mother’s distress.’

‘I see.’

He smooths his moustache with his fingertips. ‘With the money she withdrew, Mrs Mallory could have left the country.’ He says it in a fresh tone, smiling, as if she had just walked into the room. ‘She could have settled overseas, changed her name. I’m sure she’s living life to the full, wherever she is.’

Isla nods. It’s over. She feels waves rising up, covering her head.

His radio bursts into life at his belt. ‘I’ll show you out, Miss Green.’

Isla stands, pushing her chair away. The radio cuts out, leaving a sharpened quiet where the noise had been. ‘I’ll see myself out,’ she says.

49

Sydney, 1997

Andrea waves at Isla from the beach. She looks radiant, even from this distance, striding through the shallows in gumboots and cut-off jeans, her hair tied up. Her son runs alongside her in the wet sand. Isla waves back, shouts hello, although in honesty she’d been hoping to have the beach to herself. It’s too early for small talk, for the questions about Isla’s parents, the answers to which will be relayed back to Andrea’s parents. The details of Andrea’s perfect life. She wants to walk and think and enjoy the winter morning while the sun is low in the sky.

‘Didn’t know you were sticking around,’ Andrea says, shouting over the wind.

‘I didn’t plan to.’ Isla stands beside her and looks out to sea. ‘I’m leaving next week. Back to the grindstone. My boss has filled my diary already.’

‘You good with that?’

‘Don’t know.’ She digs her heels into the sand. ‘Can’t put my life on hold forever, can I?’

Andrea lets foam wash over her boots. ‘I was glad to hear Mrs Mallory’s alive and well.’

‘I know. Such a relief.’ Isla smiles. It calms her to breathe the salty air and to think maybe it is as simple as that. She’s alive and well. The questions in her head quieten.

‘I went straight down the station, once I heard the things people were saying,’ Andrea says. ‘I said to Ray, I know I was only a kid, but I was out on my bike all the time, up and down the street. I noticed things, you know?’

Isla turns to her. ‘Who’s Ray?’

‘Sorry, the cop. Ray Perry. Inspector Perry, these days.’ She leans down and wipes her son’s nose with a balled-up tissue. ‘My parents know him from way back. He was the local cop when they first moved here.’

‘This is the same cop who’s dealing with Mandy’s case?’