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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘Why?’

‘I don’t want to lose you.’

‘What are you saying?’

‘You’re all I have.’

She runs her fingers over the chips in the formica table, the flecked yellow pattern that covers its surface. He drinks again from the bottle, and she feels his fear.

‘Will you get a lawyer?’

He nods.

‘Don’t say anything, Dad.’ She feels sick. She wants to be numb. To keep pretending. ‘Don’t let them push you into saying anything. They want you to think they’ve got you.’

He pulls out a chair and sits down, facing away from her. He holds the bottle between his legs.

‘Dad, are you listening to me? Don’t say anything, will you?’

He lifts the bottle back to his mouth. His cigarette has burnt down in the ashtray and the filter drops forward, still glowing. He pushes the bottle towards her and she catches it as it slides across the table. She picks it up, feels its familiar heft.

‘I won’t say anything,’ he says.

38

Sydney, 1967

Mandy noticed the red dust caked over the fenders of his car before she noticed Ray at the wheel. She weighed up whether she could turn back into the house without him knowing she’d seen him. Whether she cared if he knew or not. She was too slow: he caught her eye and waved, rolled the window down.

‘Steve home?’ He parked at the front of the house, leaned towards her through the window.

‘No,’ she said. She took off her gardening gloves and walked up to the gate. ‘He’s gone.’

‘When d’you think he’ll be back? I could do with a word.’

‘Steve shot through.’ It was a shock, saying it aloud. She checked the tremble in her voice. ‘He took off a few days back. Just went.’

He opened his car door and stood on the footpath in front of the gate. Mandy had forgotten the size of him. He was the tallest man she’d met in her life. Bad posture, but. He’d wind up with aches and pains, she thought, later in life.

‘I’m sorry to hear that, Mandy.’

‘It’s been quite a shock. You can imagine. I’m surprised he hasn’t spoken to you about it all.’

He took his hat off and his eyes dropped to the footpath. ‘He left a few messages for me. I kept meaning to call him back.’

‘It’s a bit late now.’

‘I didn’t think. I’d have called right back if I’d known.’

‘He thought you were mad at him for leaving the job.’

He fanned himself with his hat. ‘He did leave me in a bind if I’m honest.’

‘He worked like a dog for you. Nine years, Ray.’

‘He was a good man.’ He nodded. ‘A good worker.’

‘The job got to him. He let it pull him under.’

‘It’s not easy, that’s for sure.’

‘It’s not right.’ She stepped closer to the gate. ‘That job you had him doing. Going out there and taking kids away. That’s not right, Ray. Steve was doing something he knew was wrong and it near finished him.’