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Contents ( 112)
  1. Dedication
  2. Epigraph
  3. May 19, 2015, 5:59 A.M.
  4. Home
  5. 1 | Karina
  6. 2007
  7. 2 | Jaya
  8. 2008
  9. 3 | Keith
  10. April 2009
  11. 4 | Jaya
  12. May 2009
  13. 5 | Karina
  14. June 2009
  15. 6 | Prem
  16. 7 | Jaya
  17. June 2009
  18. 8 | Karina
  19. June 2009
  20. 9 | Keith
  21. June 2009
  22. 10 | Karina
  23. July 2009
  24. 11 | Jaya
  25. July 2009
  26. 12 | Karina
  27. August 2009
  28. 13 | Keith
  29. August 2009
  30. 14 | Karina
  31. January 2010
  32. 15 | Keith
  33. May 2010
  34. 16 | Karina
  35. 2011–2013
  36. 17 | Prem
  37. Away
  38. 18 | The Olanders
  39. September 2013
  40. 19 | Karina
  41. September 2013
  42. 20 | Karina
  43. January 2014
  44. 21 | Keith
  45. August 2014
  46. 22 | Jaya
  47. August 2014
  48. 23 | Prem
  49. 24 | Karina
  50. September 2014
  51. 25 | Karina
  52. October 2014
  53. 26 | Karina
  54. October 2014
  55. 27 | Karina
  56. November 2014
  57. 28 | The Olanders
  58. December 2014
  59. 29 | Prem
  60. Sanctuary
  61. 30 | Karina
  62. January 1, 2015
  63. 31 | Karina
  64. January 2, 2015
  65. 32 | Karina
  66. January 3, 2015
  67. 33 | The Olanders
  68. February 2015
  69. 34 | Karina
  70. February 2015
  71. 35 | Prem
  72. 36 | Serotina
  73. February 2015
  74. 37 | Serotina
  75. March 2015
  76. 38 | The Olanders
  77. April 2015
  78. 39 | Serotina
  79. April 2015
  80. 40 | Serotina
  81. April 2015
  82. 41 | Serotina
  83. April 30, 2015
  84. 42 | Keith
  85. May 5, 2015
  86. 43 | Serotina
  87. May 16, 2015
  88. 44 | Jaya
  89. May 16, 2015
  90. 45 | Serotina
  91. May 17, 2015
  92. 46 | Serotina
  93. May 18, 2015
  94. 47 | Prem
  95. Found
  96. 48 | The Olanders
  97. May 19, 2015, 12:30 P.M.
  98. 49 | The Olanders
  99. May 2016
  100. 50 | Prem
  101. Acknowledgments
  102. P.S. Insights, Interviews & More . . .*
  103. About the Author
  104. Meet Shilpi Somaya Gowda
  105. About the Book
  106. Behind the Book
  107. Read On
  108. An Excerpt from The Golden Son
  109. Praise for The Shape of Family
  110. Also by Shilpi Somaya Gowda
  111. Copyright
  112. About the Publisher

While that initial seed and question of the story—how could something like this happen?—came from personal experience, every other element of this story, including the characters, plot points, and settings, was borne of my imagination and based on my research.

The act of writing these characters, and the process of researching their experiences—a mother who loses a child, a young woman suffering repeated trauma, a man successful but in saving his family—helped give me a glimpse of what it’s like to walk in another’s shoes. Both reading and writing are, after all, small acts of empathy. Perhaps if we better understand that deep and universal human need for identity and belonging, we can help guard against the destructive forces and groups that exploit it. If we can use our own stories, and those of others, to help bridge the divides between us, we can help change the shape of our society. image

Reading Group Guide

  1. The book is told in chronological order, with the exception of the first chapter. Why do you think this flash-forward was included here? How does it set the scene for what’s to come?
  2. Prem blames his death as the cause for his family’s separation, but Karina remembers her parents fighting even before that. What do you think would have happened to the family if Prem had survived—would it have stayed more tightly knit, or were their separate paths inevitable?
  3. Jaya seeks peace through spirituality, while Keith looks for it in his work. How much do you think these different approaches have to do with their different backgrounds and what each of their cultures values? What do Karina’s choices represent in relation to her parents’ paths?
  4. What did you think about the chapters told from Prem’s point of view? Did his perspective make you see any of the characters or the family unit differently?
  5. After her parents’ divorce, Karina thinks of herself as the “bridge” keeping them connected, much as Prem thought of himself as the family’s “glue.” Where do you think these beliefs come from—their parents, or themselves?
  6. Why does Karina take so quickly to the Sanctuary? What does she see in it and its residents that is missing from her own life?
  7. The SEC investigation leads Keith to worry that his decisions have resulted in “upending the man he believed himself to be.” Why does this bother him so much? How do each of the Olanders struggle with trying to be the person they believe themselves to be?
  8. What significance does Karina’s name hold for her? What did you think of her changing it to Serotina, and was this a more fitting name for her?
  9. While Karina and Jaya both turn to new makeshift families in the wake of their grief, Keith avoids serious romantic relationships in favor of casual flings. Why do you think his response is different in this way?
  10. Part of Karina’s shift in understanding what’s happening at the Sanctuary comes from seeing the callous treatment of animals—Buddy the horse and the neighbor’s dog. Why do you think she feels so strongly about this? Does she see something of herself in them, or Prem?
  11. Why do you think the author chose the names she did for the four section headings—Home, Away, Sanctuary, and Found? image