Chapters (42)
- Contents
- The Cast
- The Stage
- Map of Venice
- Map of Italy
- Act I: Fortunato’s Fate
- One: The Trap
- Two: The Dark
- Three: A Spot of Bother
- Four: How Much for the Monkey?
- Five: Ladies of the Lagoon
- Six: The Players
- Act II: The Watery City
- Seven: La Giudecca
- Eight: A Pound of Flesh
- Nine: Two Thousand Nine Hundred and Ninety-nine Golden Ducats
- Ten: Intrigue Beneath the Bawd
- Eleven: Siren Ascending
- Twelve: To Belmont and Beyond
- Act III: The Moor of Venice
- Thirteen: Bold and Saucy Wrongs
- Fourteen: A World of Sighs
- Fifteen: What Wicked Webs
- Sixteen: A Nasty Piece of Work
- Seventeen: A Fool’s Ransom
- Act IV: The Green-eyed Monster
- Eighteen: Cloak, Dagger, Wimple, and Veil
- Nineteen: Well Met in Corsica Once More
- Twenty: The Art of Persuasion
- Act V: A Pound of Flesh
- Twenty-one: Savage Puppets
- Twenty-two: No Shit, Shylock
- Twenty-three: The Trial
- Twenty-four: The Verdict
- Twenty-five: Arise! Black Vengeance!
- Twenty-six: Off Jolly Rogering!
- Afterword
- About the Author
- Also by Christopher Moore
- Credits
- Copyright
- About the Publisher
It should probably be noted that Venice had, indeed, profited greatly by being the transport hub for soldiers and supplies during the Crusades, particularly the Fourth Crusade, when they were paid a hundred thousand ducats to build ships and transport knights, horses, and supplies to the Holy Land to take the city of Acre, and eventually, Jerusalem, from the Mameluke Saladin, who had beat nine shades of shit out of the occupying Crusaders a few years before, basically expelling them from the holy city. The Venetians would use their influence, and the Crusader soldiers, to attack their trade competitors on the Dalmatian coast (Croatia now) and take the Christian city of Constantinople, for which the pope would eventually threaten to excommunicate the entire city. (Venice also maintained some trading relationship with the Mamelukes, a practice forbidden by the pope—as with Antonio in Serpent, Venice sold materials to build war machines.) In all cases, Venice built the ships that were paid for by the crusading nobles of Europe, but were also able to keep the ships, as well as the fees they contracted for the transport. The Crusades, despite the war with Genoa, were the glory days for the Venetians, and established them as a world power, despite the carnage, suffering, death, and destruction their actions facilitated.
To the specific 1298 battle of Curzola, all but twelve of Venice’s ninety-five galleys were lost to Genoa. The admiral, Dandolo (who was the son of a doge), committed suicide in shame. Among the prisoners taken was a Venetian merchant called Marco Polo, who was imprisoned in Genoa. In Serpent, this is the battle from which Venice barely recovered, which puts Othello, a mercenary, in the position of saving the city.
While in prison, Marco Polo would dictate the tales of his travels to another prisoner, called Rusticello. It was easy enough to make this prisoner a beef-brained ninny with the gift of perfect recall, thus Drool becomes the author of The Travels of Marco Polo. In Polo’s book, he describes vicious, man-eating reptiles that live in the Chinese rivers. It’s fairly obvious to us now that he is talking about crocodiles, but at that time he does not use the term, and he also describes a bird large enough to “seize an elephant with its talons, and lift it into the air.” So who is to say he didn’t smuggle out a baby dragon in his rucksack?
CHARACTERS