Chapters (42)
- Contents
- The Cast
- The Stage
- Map of Venice
- Map of Italy
- Act I: Fortunato’s Fate
- One: The Trap
- Two: The Dark
- Three: A Spot of Bother
- Four: How Much for the Monkey?
- Five: Ladies of the Lagoon
- Six: The Players
- Act II: The Watery City
- Seven: La Giudecca
- Eight: A Pound of Flesh
- Nine: Two Thousand Nine Hundred and Ninety-nine Golden Ducats
- Ten: Intrigue Beneath the Bawd
- Eleven: Siren Ascending
- Twelve: To Belmont and Beyond
- Act III: The Moor of Venice
- Thirteen: Bold and Saucy Wrongs
- Fourteen: A World of Sighs
- Fifteen: What Wicked Webs
- Sixteen: A Nasty Piece of Work
- Seventeen: A Fool’s Ransom
- Act IV: The Green-eyed Monster
- Eighteen: Cloak, Dagger, Wimple, and Veil
- Nineteen: Well Met in Corsica Once More
- Twenty: The Art of Persuasion
- Act V: A Pound of Flesh
- Twenty-one: Savage Puppets
- Twenty-two: No Shit, Shylock
- Twenty-three: The Trial
- Twenty-four: The Verdict
- Twenty-five: Arise! Black Vengeance!
- Twenty-six: Off Jolly Rogering!
- Afterword
- About the Author
- Also by Christopher Moore
- Credits
- Copyright
- About the Publisher
“I see.” Iago scratched his beard, and paced as if pondering, then snapped to, as if hit by the full impact of a weighty solution. “Othello has presented you with his hardened side, that part of him that is forged by war and by necessity, ruthless, turning away that side which we know to be just and compassionate. But of that side, he is not the commander, but has ceded that position to his lady. She knows you, has shown deference and respect to you.”
“She knows me and has always been kind.”
“Then go to her. Confess yourself freely to her, and ask that she appeal to that part of her lord who would forgive you, restore you, and lay faith once again in your abilities. Surely the loving kindness she holds for the world will mend the rift between you and the Moor. Go to her, in private, out of sight of Othello, so your case would appear pled by her unbidden. Be honest and true, forthright and contrite, yet stealthy and discreet, and surely the Moor will invite you back again into the fold.”
Cassio had been nodding as Iago spoke. “I think you advise me well. A true kindness that you would counsel me so, when you have only just lost your friend. Thank you, good Iago.”
“I do only what would any man for a good commander, what you would do for Othello. But I must be off to pay the carpenter to build the box for Rodrigo’s burial. Adieu!”
“Adieu, Iago.”
CHORUS: Into the night went Iago, the gears of treachery grinding between his ears, works of an infernal machine, its brake broken, a runaway scheme engine gone awry . . .
“Ha, who can say I am evil, when I have given such good advice? For what I told Cassio is true; the best way to win back Othello is through Desdemona, who has a sweet and forgiving nature and has precious influence over the Moor. Even now, I go to see my own wife, to assure the success of Cassio’s suit. You call me villain? I, who have only just lost my dearest friend to some demon of the night? Poor, grieving Iago, a villain?”
CHORUS: You said villain, not I. I merely wipe the mist from the mind’s eye with simple descriptive strokes, no more.
“If you think me villain, follow me into the dark, glib Chorus. Listen to my bones tremble as we are pursued by the dark nature I have conjured with my sins. Oh, it has taken form, and it turns on me, even as it took Rodrigo and nearly shredded an oaken door to get at me. If you would call me villain, face the dark thing that pursues me, that is born of my hate, my ambition.”