Chapters (90)
- PROLOGUE
- PART ONE: PROVENANCE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- PART TWO: ATTRIBUTION
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- PART THREE: AUTHENTICATION
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- PART FOUR: UNVEILING
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- PART FIVE: RECOVERY
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
Few people noticed Eli Lavon’s arrival in Amsterdam the following day, and those who did mistook him for someone else. It was his special talent. Regarded as the finest street surveillance artist the Office had ever produced, Lavon was a ghost of a man who possessed a chameleon-like ability to change his appearance. His greatest asset was his natural anonymity. On the surface, he appeared to be one of life’s downtrodden. In reality, he was a natural predator who could follow a highly trained intelligence officer or hardened terrorist down any street in the world without attracting even a flicker of interest. Ari Shamron liked to say that Lavon could disappear while shaking your hand. It was not far from the truth.
It was Shamron himself, in September 1972, who introduced Lavon to a promising young artist named Gabriel Allon. Though they did not realize it then, both had been selected to take part in what would become one of the most celebrated and controversial missions ever undertaken by Israeli intelligence—Wrath of God, the secret operation to hunt down and assassinate the perpetrators of the Munich Olympics massacre. In the Hebrew-based lexicon of the team, Lavon was an ayin, a tracker and surveillance specialist. Gabriel was an aleph. Armed with a .22 caliber Beretta pistol, he personally assassinated six of the Black September terrorists responsible for Munich. Under Shamron’s unrelenting pressure, they stalked their prey across Western Europe for three years, killing both at night and in broad daylight, living in fear that at any moment they would be arrested and charged as murderers. When they finally returned home, Gabriel’s temples were the color of ash, his face that of a man twenty years his senior. Eli Lavon, who had been exposed to the terrorists for long periods of time with no backup, suffered innumerable stress disorders, including a notoriously fickle stomach that troubled him to this day.