Chapters (90)
- PROLOGUE
- PART ONE: PROVENANCE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- PART TWO: ATTRIBUTION
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- PART THREE: AUTHENTICATION
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- PART FOUR: UNVEILING
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- PART FIVE: RECOVERY
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
PORTRAIT OF A YOUNG WOMAN, oil on canvas, 104 by 86 centimeters, by Rembrandt van Rijn, was propped on an easel in a small holding room, covered by baize cloth, surrounded by several security guards and a nervous-looking curator. Chiara held Lena by the arm while Gabriel and Isherwood carefully removed the cover.
“She looks more beautiful than I remember.”
“It’s not too late to change your mind, Lena. If you don’t want to give her up permanently, Julian can alter the terms of the contract so it’s only a temporary loan.”
“No,” she said after a pause. “I can’t care for her, not at my age. She’ll be happier here.”
“You’re sure?” Gabriel pressed.
“I’m sure.” Lena looked at the painting. “You put a prayer to my sister inside it?”
“Here,” said Chiara, pointing to the center of the bottom portion of the frame.
“It will stay with her always?”
“The museum has promised to keep it there forever,” said Gabriel.
Lena took a hesitant step forward. “I was never able to say good-bye to her that night in Amsterdam. There wasn’t time.” She looked at Gabriel. “May I touch her? One final time?”
“Carefully,” said Gabriel.
Lena reached out and traced her finger slowly over the dark hair. Then she touched the bottom of the frame and walked silently from the room.
THE UNVEILING had been scheduled for eight, but due to circumstances never explained to the guests it was closer to half past before Portrait of a Young Woman was carried into the rotunda, cloaked in her shroud of baize. Unexpectedly, Gabriel felt as nervous as a playwright on opening night. He found a hiding place with Isherwood and Chiara at the edge of the crowd and stared at his shoes during several long and deeply boring speeches. Finally, the lights dimmed and the covering came off to tumultuous applause. Chiara kissed his cheek and said, “They adore it, Gabriel. Look around you, darling. They don’t realize it, but they’re cheering for you.”
Gabriel looked up but immediately managed to find the one person in the crowd who was not clapping. She was a woman in her mid-thirties with dark hair, olive-complected skin, and intoxicating green eyes that were focused directly on him. She raised a glass of champagne in his direction and mouthed the words, “Well done, Gabriel.” Then she handed the glass to a passing waiter and headed toward the exit.
CHAPTER 79
79
WASHINGTON, D.C.
You never told me how much I look like her,” said Zoe.
“Like Hendrickje?” Gabriel shrugged. “You’re much prettier than she is.”
“I’m sure you say that to all the girls.”
“Only the ones I place in great danger.”