Back The Rembrandt Affair
Chapters (90)
  1. PROLOGUE
  2. PART ONE: PROVENANCE
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. PART TWO: ATTRIBUTION
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. PART THREE: AUTHENTICATION
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. PART FOUR: UNVEILING
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. CHAPTER 64
  70. CHAPTER 65
  71. CHAPTER 66
  72. CHAPTER 67
  73. CHAPTER 68
  74. CHAPTER 69
  75. CHAPTER 70
  76. CHAPTER 71
  77. CHAPTER 72
  78. CHAPTER 73
  79. CHAPTER 74
  80. CHAPTER 75
  81. CHAPTER 76
  82. PART FIVE: RECOVERY
  83. CHAPTER 77
  84. CHAPTER 78
  85. CHAPTER 79
  86. CHAPTER 80
  87. CHAPTER 81
  88. AUTHOR’S NOTE
  89. ACKNOWLEDGMENTS
  90. ABOUT THE AUTHOR

“Because unless Jacob Herzfeld was extremely lucky, he probably wasn’t alive in 1964. Which means it’s quite possible we’ve just discovered a very large hole in the painting’s provenance.”

“So what are we going to do now?”

Gabriel shoved the documents back into the envelope.

“Find out what happened to him.”

CHAPTER 15

15

AMSTERDAM

Portrait of a Young Woman, oil on canvas, 104 by 86 centimeters, was painted in a large house just west of Amsterdam’s old center. Rembrandt purchased the property in 1639 for the price of thirteen thousand guilders, an enormous sum even for a painter of his stature and one that would eventually lead to his financial undoing. At the time, the street was known as Sint Antonisbreestraat. Later, due to a change in the neighborhood’s demographics, it would be renamed Jodenbreestraat, or Jewish Broad Street. Why Rembrandt chose to live in such a place has long been a matter of debate. Was it because he harbored a secret affinity for Judaism? Or did he choose to reside in the district because it was home to many other painters and collectors? Whatever the case, one thing is beyond dispute. The greatest painter of Holland’s Golden Age lived and worked among Amsterdam’s Jews.

Shortly after Rembrandt’s death, a number of large synagogues were constructed near the opposite end of Jodenbreestraat around the Visserplein and Meijerplein. The redbrick buildings somehow managed to survive the Nazi occupation of the Netherlands, though most of the people who prayed there did not. Nestled within a complex of four old Ashkenazi synagogues is the primary keeper of this terrible memory, the Jewish Historical Museum. After passing through the magnetometer at the front entrance, Gabriel asked for the research facility and was directed to the lowest level. It was a modern space, clean and brightly lit, with long worktables and an internal spiral staircase leading to the upper stacks. Given the lateness of the hour, it was empty except for a single archivist, a tall man in his early forties with reddish blond hair.

Without going into specifics, Gabriel said he was looking for information about a man named Jacob Herzfeld. The archivist asked for the correct spelling, then walked over to a computer terminal. A click of the mouse brought up a page for a database search engine. He entered Herzfeld’s first and last name and clicked again.

“This could be him. Jacob Herzfeld, born in Amsterdam in March 1896, died at Auschwitz in March 1943. His wife and daughter were murdered at the same time. The child was only nine years old.” The archivist glanced over his shoulder at Gabriel. “They must have been rather well-to-do. They lived at a good address on Plantage Middenlaan. It’s quite close to here, just on the other side of Wertheim Park.”

“Is there a way to tell if any members of the family survived?”

“Not using this database, but let me check our files.”