Back The Rembrandt Affair
Chapters (90)
  1. PROLOGUE
  2. PART ONE: PROVENANCE
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. PART TWO: ATTRIBUTION
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. PART THREE: AUTHENTICATION
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. PART FOUR: UNVEILING
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. CHAPTER 64
  70. CHAPTER 65
  71. CHAPTER 66
  72. CHAPTER 67
  73. CHAPTER 68
  74. CHAPTER 69
  75. CHAPTER 70
  76. CHAPTER 71
  77. CHAPTER 72
  78. CHAPTER 73
  79. CHAPTER 74
  80. CHAPTER 75
  81. CHAPTER 76
  82. PART FIVE: RECOVERY
  83. CHAPTER 77
  84. CHAPTER 78
  85. CHAPTER 79
  86. CHAPTER 80
  87. CHAPTER 81
  88. AUTHOR’S NOTE
  89. ACKNOWLEDGMENTS
  90. ABOUT THE AUTHOR

The archivist told Gabriel and Chiara everything else he knew. Lena Herzfeld had worked as a teacher in the Dutch state school system, had never married, and, as it turned out, lived just around the corner from her old family home. It was a small street with a leafy green park on one side and a terrace of gabled houses on the other. Hers was a narrow little house with a narrow black door at street level. Gabriel reached for the bell but hesitated. She became very agitated and angry…After that, we never saw her again. Perhaps it was better to leave her undisturbed, he thought. He knew from personal experience that coaxing memory from a survivor could be a bit like crossing a frozen lake. One wrong step and the entire surface could crack with disastrous results.

“What’s wrong?” Chiara asked.

“I don’t want to put her through it. Besides, she probably doesn’t remember.”

“She was nine when the Germans came. She remembers.”

Gabriel made no movement. Chiara pressed the bell for him.

“Why did you do that?”

“She came to that conference for a reason. She wants to talk.”

“Then why did she get so upset when they asked her about the war?”

“They probably didn’t ask her the right way.”

“And you think I can?”

“I know you can.”

Chiara reached for the bell again but stopped at the sound of footfalls in the entrance hall. An exterior light came on, and the door retreated a few inches, revealing a small, spare woman dressed entirely in black. Her pewter-colored hair was carefully brushed, and her blue eyes appeared clear and alert. She regarded the two visitors curiously, then, sensing they were not Dutch, addressed them in flawless English.

“May I help you?”

“We’re looking for Lena Herzfeld,” said Gabriel.

“I’m Lena Herzfeld,” she replied calmly.

“We were wondering whether we might speak with you.”

“About?”

“Your father.” Gabriel paused, then added, “And about the war.”

She was silent for a moment. “My father has been dead for more than sixty years,” she said firmly. “As for the war, there is nothing to discuss.”

Gabriel shot a glance at Chiara, who ignored him and quietly asked, “Will you tell us about the painting, then?”

Lena Herzfeld seemed startled but quickly regained her composure. “What painting is that?”

“The Rembrandt your father owned before the war.”

“I’m afraid you have me confused with someone else. My father never owned a Rembrandt.”

“But that’s not true,” Gabriel interjected. “Your father did indeed own a Rembrandt. He purchased it from De Vries Fine Arts on the Herengracht in 1936. I have a copy of the bill of sale if you would like to see it.”

“I have no wish to see it. Now if you’ll excuse me, I—”

“Then will you at least have a look at this?”