Back The Rembrandt Affair
Chapters (90)
  1. PROLOGUE
  2. PART ONE: PROVENANCE
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. PART TWO: ATTRIBUTION
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. PART THREE: AUTHENTICATION
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. PART FOUR: UNVEILING
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. CHAPTER 64
  70. CHAPTER 65
  71. CHAPTER 66
  72. CHAPTER 67
  73. CHAPTER 68
  74. CHAPTER 69
  75. CHAPTER 70
  76. CHAPTER 71
  77. CHAPTER 72
  78. CHAPTER 73
  79. CHAPTER 74
  80. CHAPTER 75
  81. CHAPTER 76
  82. PART FIVE: RECOVERY
  83. CHAPTER 77
  84. CHAPTER 78
  85. CHAPTER 79
  86. CHAPTER 80
  87. CHAPTER 81
  88. AUTHOR’S NOTE
  89. ACKNOWLEDGMENTS
  90. ABOUT THE AUTHOR

Chiara gave a puckish smile and returned the photograph to its place on the counter. The Cornish winter had softened the tone of her olive skin while the moist sea air had added curls and ringlets to her hair. It was held in place by a clasp at the nape of her neck and hung between her shoulder blades in a great cloud of auburn and copper highlights. She was taller than Gabriel by an inch and blessed with the square shoulders, narrow waist, and long legs of a natural athlete. Had she been raised somewhere other than Venice, she might very well have become a star swimmer or tennis player. But like most Venetians, Chiara regarded sporting contests as something to be viewed over coffee or a good meal. When one required exercise, one made love or strolled down to the Zattere for a gelato. Only the Americans exercised with compulsion, she argued, and look what it had wrought—an epidemic of heart disease and children prone to obesity. The descendant of Spanish Jews who fled to Venice in the fifteenth century, Chiara believed there was no malady that could not be cured by a bit of mineral water or a glass of good red wine.

She opened the stainless steel door of the oven and from inside removed a large orange pot. As she lifted the lid there arose a warm rush of steam that filled the entire room with the savor of roasting veal, shallots, fennel, and sweet Tuscan dessert wine. She inhaled deeply, poked at the surface of the meat with her fingertip, and gave a contented smile. Chiara’s disdain for physical exertion was matched only by her passion for cooking. And now that she was officially retired from the Office, she had little to do other than read books and prepare extravagant meals. All that was expected of Gabriel was an appropriate display of appreciation and undivided attention. Chiara believed that food hastily consumed was food wasted. She ate in the same manner in which she made love, slowly and by the flickering glow of candles. Now she licked the tip of her finger and replaced the cover on the pot. Closing the door, she turned and noticed Gabriel staring at her.

“Why are you looking at me like that?”

“I’m just looking.”

“Is there a problem?”

He smiled. “None at all.”

She furrowed her brow. “You need something else to occupy your thoughts other than my body.”

“Easier said than done. How long before dinner?”

“Not long enough for that, Gabriel.”

“I wasn’t suggesting that.”

“You weren’t?” She pouted playfully. “I’m disappointed.”

She opened a bottle of Chianti, poured two glasses, and pushed one toward Gabriel. “Who steals paintings?”

“Thieves steal paintings, Chiara.”

“I guess you don’t want any of the veal.”