Chapters (90)
- PROLOGUE
- PART ONE: PROVENANCE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- PART TWO: ATTRIBUTION
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- PART THREE: AUTHENTICATION
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- PART FOUR: UNVEILING
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- PART FIVE: RECOVERY
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- AUTHOR’S NOTE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
“That’s odd,” Lavon said. “Because I know for a fact that very recently it was hidden inside a painting by Rembrandt called Portrait of a Young Woman. I also know that the painting was stolen and that a man was killed during the robbery. But that’s not why I’m here. I don’t know how you got these documents, but you should know there are people looking for them who are very dangerous. And they assume these papers are still inside the painting.” Lavon paused. “Do you understand what I’m trying to say, Monsieur Durand?”
“I believe I do,” Durand said carefully. “But I know nothing at all about a painting by Rembrandt—or anyone else, for that matter.”
“You’re sure, monsieur?”
“I’m afraid so.”
“But perhaps you hear things from time to time. Or perhaps you have friends in the business who hear things. Friends who might know the whereabouts of this painting.”
“I don’t make a habit of associating with people from the art business. They tend to look down their noses at people like me.”
Lavon handed Durand a business card. “But if you do happen to hear anything about the Rembrandt—anything at all, monsieur—please call this number. I can guarantee you complete confidentiality. Rest assured recovery of the painting is our only concern. And do be careful. I wouldn’t want anything unpleasant to happen to you.”
Durand slipped the card into his pocket, obviously anxious to end the conversation. “I wish I could be of help, monsieur, but I’m afraid I can’t. Unless there’s something else you require, I really should be getting back to the shop.”
“No, nothing. Thank you for your time.”
“Not at all.”
Durand opened the door. Lavon started to leave, then stopped and turned.
“Actually, Monsieur Durand, there is one more thing.”
“What’s that?”
“Just remember that God is watching you. Please don’t disappoint Him.”
“I’ll keep that in mind, Monsieur Lavon.”
ELI LAVON and Hannah Weinberg parted at dusk in the Place de la Concorde. Hannah took the Métro back to the Marais, while Lavon made the short walk to 3 rue Rabelais, location of the Israeli Embassy. There, by the power vested in him by Operation Masterpiece, he instructed the Office station chief to put a security detail on Hannah Weinberg and a team of watchers on Maurice Durand. Then he requisitioned a car and driver to run him out to Charles de Gaulle Airport. “And make sure the driver has a gun in his pocket,” Lavon said. “Maybe someday I’ll be able to explain why.”