Back The Rembrandt Affair
Chapters (90)
  1. PROLOGUE
  2. PART ONE: PROVENANCE
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. PART TWO: ATTRIBUTION
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. PART THREE: AUTHENTICATION
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. PART FOUR: UNVEILING
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. CHAPTER 64
  70. CHAPTER 65
  71. CHAPTER 66
  72. CHAPTER 67
  73. CHAPTER 68
  74. CHAPTER 69
  75. CHAPTER 70
  76. CHAPTER 71
  77. CHAPTER 72
  78. CHAPTER 73
  79. CHAPTER 74
  80. CHAPTER 75
  81. CHAPTER 76
  82. PART FIVE: RECOVERY
  83. CHAPTER 77
  84. CHAPTER 78
  85. CHAPTER 79
  86. CHAPTER 80
  87. CHAPTER 81
  88. AUTHOR’S NOTE
  89. ACKNOWLEDGMENTS
  90. ABOUT THE AUTHOR

The safe house stood at the end of a hushed cul-de-sac in Highgate, three stories of sturdy Victorian red brick with chimneys at each end of its roof. Gabriel and Nigel Whitcombe arrived first and were seated before a panel of video monitors in the upstairs study when Zoe Reed came through the front entrance. A pair of docile-looking female officers immediately took possession of her raincoat, briefcase, and mobile phone; then Graham Seymour ushered her into the drawing room. It had the comfortable, musty air of a private London club. There was even a dreadful print of a country hunt scene above the fireplace. Zoe examined it with a slightly bemused expression, then, at Seymour’s invitation, sat in a leather wing chair.

Seymour walked over to the sideboard, which had been laid with an array of food and drinks, and drew two cups of coffee from the pump-action thermos. The care with which he performed this task was an accurate reflection of his mood. Zoe Reed was no run-of-the-mill target for recruitment. Yes, she had been left vulnerable by her relationship with Martin Landesmann, but Seymour knew he could not be seen to exploit the affair in any way. To do so, he reckoned, would not only place his own career at risk but spoil any chance of obtaining what they needed most. Like all veterans, Seymour knew that successful recruitments, much like successful interrogations, were usually the result of playing to the dominant aspects of the target’s personality. And Graham Seymour knew two critical things about Zoe Reed. He knew she despised corruption in all its forms and he knew that she was not afraid of powerful men. He also suspected she was not the sort of woman who would react well when told she had been deceived. But then few women did.

It was into this minefield of human emotion that Graham Seymour waded now, a cup of hot coffee balanced in each hand. He gave one to Zoe, then, almost as an afterthought, instructed her to sign the document lying on the table in front of her.

“What is it?”

“The Official Secrets Act.” Seymour’s tone was repentant. “I’m afraid you’ll need to sign it before this conversation can continue. You see, Ms. Reed, the information I’m about to share with you can’t be written about in the pages of the Journal. In fact, once you sign—”

“I’ll be forbidden from discussing it even with members of my own family.” She fixed him with a mocking stare. “I know all about the Official Secrets Act, Mr. Seymour. Who do you think you’re dealing with?”

“I’m dealing with one of Britain’s most accomplished and respected journalists, which is why we’ve gone to such lengths to keep this conversation private. Now, if you would please sign, Ms. Reed.”