Back The Orchard Save as PDF
Chapters (34)
  1. Cover
  2. Dedication
  3. I
  4. Black Swan
  5. Blessed Is the Field
  6. The Garden of the Trumpet Tree
  7. Blacklegs
  8. The Wolf
  9. Brightness from the North
  10. Sheep Child
  11. The South Gate
  12. Sheet Music
  13. II
  14. The Satyr’s Heart
  15. Two Boys
  16. Rose of Sharon
  17. Windfall
  18. Midwinter
  19. Elegy
  20. Pale Rider
  21. Masque
  22. III
  23. The Dragon
  24. The Foreskin
  25. The Orchard
  26. Plants Fed On by Fawns
  27. Lion
  28. The Dance
  29. The Rain’s Consort
  30. IV
  31. The Sparrow’s Gate
  32. Acknowledgments
  33. About the Author
  34. BOA EDITIONS, LTD.

From burial. Terrible. Wrapped in soiled cloth.

Stinking. Lion flesh and bird flesh and man flesh.

We would prefer this were a trick. Strings

And ropes. But it is not. The lion will grow large.

The greenness is his hunger. His hunger will overtake

The ground and soon devour even the mother.

She will sleep in his belly. He will rock her softly.

Sheet Music

If you cannot trust the dog, the faithful one?

And is this anyway a dog? The shadows move,

Dog and dog, two lanky figures, three, sniffing

The garden’s charred terrain, the darkening grass

The bleeding beds of flowers, sniffing the stones

And lunging at the rabbits that spring from the beds,

Wet creatures, mad with haste, mad and wet

And white as the half-hearted moon that stepped

Behind the clouds and has not come back....The rain

Fell hard, and now the mist rises, consolidates, disperses,

That thought, this, your face, mine, the shapes

Complicating the air around the abandoned birdhouse,

Big as a summer hotel, thirty rooms

For thirty birds, thirty perches from which to sing.

Such is the moon when it is full. A giant birdhouse

Tilted high on a steel pole, a pale blue box

Full of the shredded sheet music of long-dead birds....

The dogs move fast. How will I follow? And which one?

They are not in agreement. If the dog cannot be trusted,

Then what? The foot? But the foot is blind, the grass

Cold through the thin socks, the instep bared like a neck.

And now the flowers rise. The mums and asters,

The tall gladioli knocked back as the rain creeps up

In the mist, and the mist thickens and moves about me

Like a band of low-bred mummers, dripping scent,

Pulling my hair, my arms, trying to distract me,

But still I hear it, the dark sound that begins at the edge

Of the mind, at the far edge of the uncut field

Beyond the garden—a low braying, donkey

Or wolf, a low insistent moan. If I whistle

Will the dogs come? Can I gather their trailing leashes

And hold them in my hand? They cannot be held.

How pale the paint of the birdhouse. How ghastly pale

The sound of the cry coming closer....If I forsake

The dogs?....If I forsake the mummers?....If I step

Like a fool into the glassy outer darkness?....O self....

II

The Satyr’s Heart

Now I rest my head on the satyr’s carved chest,

The hollow where the heart would have been, if sandstone

Had a heart, if a headless goat man could have a heart.

His neck rises to a dull point, points upward

To something long gone, elusive, and at his feet

The small flowers swarm, earnest and sweet, a clamor

Of white, a clamor of blue, and black the sweating soil

They breed in....If I sit without moving, how quickly

Things change, birds turning tricks in the trees,