Chapters (34)
- Cover
- Dedication
- I
- Black Swan
- Blessed Is the Field
- The Garden of the Trumpet Tree
- Blacklegs
- The Wolf
- Brightness from the North
- Sheep Child
- The South Gate
- Sheet Music
- II
- The Satyr’s Heart
- Two Boys
- Rose of Sharon
- Windfall
- Midwinter
- Elegy
- Pale Rider
- Masque
- III
- The Dragon
- The Foreskin
- The Orchard
- Plants Fed On by Fawns
- Lion
- The Dance
- The Rain’s Consort
- IV
- The Sparrow’s Gate
- Acknowledgments
- About the Author
- BOA EDITIONS, LTD.
Have been years later, after all that would pass had passed.
Brightness from the North
Bright shapes in the dark garden, the gardenless stretch
Of old yard, sweetened now by the half-light
As if by burning flowers. Overture. First gesture.
But not even that, the pause before the gesture,
The window frame composing the space, so it
Seems as if time has stopped, as if this half-dark,
This winter grass, plated with frost, these unseen
Silent birds might stay forever. It seems as if
This might be what forever is, the presence of time
Overriding the body of time, the fullness of time
Not a moment but a being, watchful and unguarded,
Unguarded and gravely watched this garden—
The black fir with its long aristocratic broken branches,
The cluster of three tiny tipped arborvitae
Damp as sea sponges, the ghostly sycamore shedding
Its skin, and the sweet row of yews along the walk
Into which people throw their glittering trash....
And who, when the light rises, will come up the walk?
We can say no one will come—the day will be empty
Because you are no longer in it. We can say
The things of the day do not fill it. We can say
The eye is not filled by seeing. Nor silenced
By blinding. We can say, we can say your body
Appeared on the table, and swiftly disappeared—
Do not let the sun go down on the dead figure,
Do not fix the dead figure in mind, the false face,
Remember as you should remember, by heart,
In the garden’s dark chamber—and the ground
Took the body, and the ground was pleased.
And oh, now, the busy light comes too quickly,
The gray grass unrolling, birds mewling in the trees,
Dawn raising the walls of day, the rooms we live in,
All our murals, pictures of gardens and presiding deities,
Things painted on plaster to keep the dying company,
A toppled jar, a narrow bird, an ornamental tree
With no name, and crouched beneath the stone table,
The lion with four heads, who looks this morning
As he rises from the shadows, like the creature
Who carries on his back the flat and shining earth.
Sheep Child
I wanted a child. What then, this? The sheep
Stands dumb behind the fence. Stands dumb.
Demanding what? Pity? Affection? A breast full
Of milk? He’s up to his neck in his filthy fur.
Honey to the flies. Rancid honey. Each coarse
Curl dipped in it. The flies reeling. A sullen
Moment....Oh, Sheep, Sheep, this is my undoing,
That you have a thought and I would read it. I would
Put my head up to your smelly head and watch
The pretty pictures sliding past: Look! there goes
The flowerless larch, lurching over the ground
Like a skiff. And that black thing spinning in the dung
Is a truck tire stuffed with hay. And here, now,
Down from the elm, comes the crow, bully bird