Back The Orchard Save as PDF
Chapters (34)
  1. Cover
  2. Dedication
  3. I
  4. Black Swan
  5. Blessed Is the Field
  6. The Garden of the Trumpet Tree
  7. Blacklegs
  8. The Wolf
  9. Brightness from the North
  10. Sheep Child
  11. The South Gate
  12. Sheet Music
  13. II
  14. The Satyr’s Heart
  15. Two Boys
  16. Rose of Sharon
  17. Windfall
  18. Midwinter
  19. Elegy
  20. Pale Rider
  21. Masque
  22. III
  23. The Dragon
  24. The Foreskin
  25. The Orchard
  26. Plants Fed On by Fawns
  27. Lion
  28. The Dance
  29. The Rain’s Consort
  30. IV
  31. The Sparrow’s Gate
  32. Acknowledgments
  33. About the Author
  34. BOA EDITIONS, LTD.

Have been years later, after all that would pass had passed.

Brightness from the North

Bright shapes in the dark garden, the gardenless stretch

Of old yard, sweetened now by the half-light

As if by burning flowers. Overture. First gesture.

But not even that, the pause before the gesture,

The window frame composing the space, so it

Seems as if time has stopped, as if this half-dark,

This winter grass, plated with frost, these unseen

Silent birds might stay forever. It seems as if

This might be what forever is, the presence of time

Overriding the body of time, the fullness of time

Not a moment but a being, watchful and unguarded,

Unguarded and gravely watched this garden—

The black fir with its long aristocratic broken branches,

The cluster of three tiny tipped arborvitae

Damp as sea sponges, the ghostly sycamore shedding

Its skin, and the sweet row of yews along the walk

Into which people throw their glittering trash....

And who, when the light rises, will come up the walk?

We can say no one will come—the day will be empty

Because you are no longer in it. We can say

The things of the day do not fill it. We can say

The eye is not filled by seeing. Nor silenced

By blinding. We can say, we can say your body

Appeared on the table, and swiftly disappeared—

Do not let the sun go down on the dead figure,

Do not fix the dead figure in mind, the false face,

Remember as you should remember, by heart,

In the garden’s dark chamber—and the ground

Took the body, and the ground was pleased.

And oh, now, the busy light comes too quickly,

The gray grass unrolling, birds mewling in the trees,

Dawn raising the walls of day, the rooms we live in,

All our murals, pictures of gardens and presiding deities,

Things painted on plaster to keep the dying company,

A toppled jar, a narrow bird, an ornamental tree

With no name, and crouched beneath the stone table,

The lion with four heads, who looks this morning

As he rises from the shadows, like the creature

Who carries on his back the flat and shining earth.

Sheep Child

I wanted a child. What then, this? The sheep

Stands dumb behind the fence. Stands dumb.

Demanding what? Pity? Affection? A breast full

Of milk? He’s up to his neck in his filthy fur.

Honey to the flies. Rancid honey. Each coarse

Curl dipped in it. The flies reeling. A sullen

Moment....Oh, Sheep, Sheep, this is my undoing,

That you have a thought and I would read it. I would

Put my head up to your smelly head and watch

The pretty pictures sliding past: Look! there goes

The flowerless larch, lurching over the ground

Like a skiff. And that black thing spinning in the dung

Is a truck tire stuffed with hay. And here, now,

Down from the elm, comes the crow, bully bird